Author: ONLY BLACK KID

  • Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    After a string of timestamp mixtapes Curren$y is headed out on the road with “The Winners Circle Tour” embarking March 28 with a run of shows 2026. Traveling the globe Spitta Andretti is hitting every major market including the Carolinas, Florida and DMV.

    Performing with him at every stop The 747 Band and special guest Fendi P. Jay Electronica has been confirmed for two show dates.

    Tickets on sale Monday 10:00am (Eastern Standard Time) | https://currensy.fanlink.tv/thewinnerscircletour

    UMH SHOW DATE HIGHLIGHTS 

    March 28 Las Vegas

    April 20 Washington DC

    May 7 Orlando

    May 8 Tampa

    May 9 Miami

    May 10 Jacksonville 

  • Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]

    Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]

    Black people do not got no money for kink, Ari! Like, dumb it down sis — why you still thinking about my deep strokes when I ain’t got no scars? This is not an exhibition, ma’am. Chill with the canvas talk.

    That said… ain’t a soul breathing who wouldn’t happily settle for the vocals on this album. Vacancy might have some empty spaces, but Ari’s voice damn sure ain’t one of them.

    “24 Seconds” is the perfect example of the album’s highs and lows. The second half is straight therapy — “everybody needs somebody by their side” hits different. But that first half? It’s giving repeat Ari career mode. Like she tryna cosplay Pop again. The song starts off like a bland Netflix intro, then suddenly turns into an action-packed thriller with no plot. Why the early commercials though? Pick a lane!

    Song Quality Highlights:

    Soft Girl Era – This the one. Ari fully in her spoiled, feminine, “treat me like a princess” bag and I’m seated. It’s like she’s channeling that post-breakup glow-up where you decide life’s too short not to demand the soft life: plush robes, spa days, and a man who knows how to pamper without the drama. The production is buttery smooth with those layered harmonies that make you feel like you’re floating on a cloud of self-care vibes. It’s the track you play when you’re manifesting that upgrade from situationship to queen treatment. If Shea Butter Baby was her introduction to sensuality, this is the evolved version where she’s unapologetically demanding softness in a hard world. Replay value? Infinite

    Company (with Buju Banton) – Cultural reset. That reggae-R&B fusion is nasty (in the best way). Instant classic.

    Vacancy – Smooth, seductive, and the perfect title track. She really singing about wanting somebody to move in and fill the space.

    Final Verdict: 7.5/10.

    Vocals are a solid 10, the vibes are expensive, but some tracks feel a little too artsy or repetitive for the culture. Ari don’t miss when she really sings.

  • Wale heading out on road Everything Is A Lot. The Tour with Smino preview

    Wale heading out on road Everything Is A Lot. The Tour with Smino preview

    Wale’s eighth studio album, everything is a lot., released on November 14, 2025, via Def Jam, explores vulnerability, fame’s pressures, and personal struggles through soulful hip-hop with African influences. Guests include Ty Dolla $ign, Andra Day, Leon Thomas, ODUMODUBLVCK, BNYX, Seyi Vibez, Teni, Odeal, Nino Paid, and Shaboozey. Standouts: “Blanco” on alcohol issues and “Power and Problems” on fame’s downsides.

    Promo highlights a creative Nike Boots ad featuring Smino, directed by Jossh Flores, revealing features amid DC-rooted visuals.

    The “Everything Is A Lot. The Tour with Smino” kicks off May 26 in San Francisco, hitting cities like LA, Denver, Austin, Atlanta, NYC, Chicago, and more, ending July 2 in Minneapolis. Tickets at everythingisthetour.com.

    For full tour poster see below

  • Bad Bunny To Headline Super Bowl Stage

    Bad Bunny To Headline Super Bowl Stage

    Seahawks-Patriots rematch ignites Bay Area fireworks, with Bad Bunny set to steal the show.

    Kickoff at 6:30 p.m. ET

    Fresh off a Grammy win for Debí Tirar Más Fotos—including Album of the Year—the Puerto Rican kingpin (Benito Antonio Martínez Ocasio) storms the Apple Music Halftime Show. Teased as a “huge party” in his Ebro Darden sit-down, Bunny’s 13-minute set is estimated to start approximately 8:00–8:30 p.m.

    Tune in on CBS, Paramount+, or Univision for the gridiron grind, then let Bad Bunny’s beats reset the vibe. Seahawks for the revenge sequel, or Pats for poetic closure? One thing’s certain: By confetti’s fall, the Bay will buzz louder than a Bunny drop. ¡Que comience el espectáculo!

  • J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]

    J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]

    Boy diving deep into J. Cole’s latest—and apparently final—drop, The Fall Off. If you’ve been riding with Cole since the Come Up days, you know this one’s been brewing for years. Now, in 2026, it’s here as a double-disc. That’s all I got for you gotta keep scrolling, split into “Disc 29” and “Disc 39”. Disc 29 takes us grinding through crossroads in love, craft, and his Fayetteville roots. Disc 39 flips it to a wiser, more reflective older Cole, inching toward peace. It’s autobiographical culture currency, full circle from his early mixtapes to this retirement mic drop. But let’s get into it like Cole himself—raw, introspective, and unfiltered.

    J. Cole, why is it so much rap on this final album? The Fall Off, out now with an array of tracks since we still can’t find “7 Minute Drill” (RIP to that Kendrick diss that vanished quicker than a bad tweet). Future like the same Future Hendrix who got a record with Tems got another record with Tems—double disc and it’s on the first disc. I love when they do not make mistah wait. Since when the Grammy’s ain’t choosing this much? Recording Academy, folded. 

    This Jermaine Cole got the universe feeling like the 20s era again. Who said I can’t talk my s!!t—by now they should know. Is this Game 7 Type S!!t orNAH? Let’s dive in.

    Two Six gatos wild because how Tupac apologizing to Notorious B.I.G. What If Fat Joe was correct we just no comprehende because no hablo un European vosotros conjugation. I thought it was bad at the holograms but these artists get more creative by the day. Cole’s pulling stunts that make you rewind the track just to process—rapping from the perspectives of ‘Pac and Biggie on “What If”? That’s next-level innovation, channeling the ghosts of rap’s golden era to imagine reconciliations that never happened. It’s like he’s resurrecting the 90s beef in a therapy session, with lines that hit the soul.

    Lyrics: Storytelling at Its Peak, Wordplay That Cuts Deep

    Cole’s always been a lyricist’s lyricist, but on The Fall Off, he elevates it to masterpiece territory. This ain’t just bars; it’s narrative therapy wrapped in beats. The album’s concept shines through the lyrics, with Disc 29 feeling hungry and conflicted, like a young Cole hustling back home at 29, questioning everything. Tracks like “Two Six”set the tone with gritty street tales and self-doubt: It’s raw, think boom-bap soul with modern introspection.

    By Disc 39, the lyrics mature into wisdom. “The Fall-Off Is Inevitable” is the thesis track, where Cole philosophizes on fame’s expiration date. Influenced by Nas’s “Rewind,” he narrates life in reverse on some cuts, unmaking achievements to highlight growth. Standout wordplay? Everywhere. On “Old Dog,” he flips canine metaphors for aging in the game. 

    If you’re dissecting bars, this album’s a goldmine—themes of legacy, regret, and redemption dominate, making it feel like a therapy session you didn’t know you needed.

    Spotlight on “Poor Thang”: The Raw, Unfiltered Gut Punch of Disc 29

    Dropping as track 5 on Disc 29, “Poor Thang” hits like a freight train—raw, confrontational, and dripping with that classic Cole introspection. Produced by Cole himself alongside T-Minus and a couple others, it samples Boosie Badazz’s “Set It Off” for that gritty Southern edge, building tension with drum-heavy beats that echo the chaos in the lyrics. This joint is all about youthful ignorance turning deadly, fake tough guys getting called out, and the cycles of violence that trap the young and dumb. It’s peak Cole: blending personal stories with sharp social commentary, making you nod your head while rethinking life choices. The chorus sets the tone hard: “Poor thang, young pup’s playin’ war games / He wanted love, but he only made more pain.” Repeated like a mantra, it’s pity mixed with tragedy—picturing a kid chasing respect but ending up in cuffs, with some old lady shaking her head, “Poor thang.” Verse 1 dives into Cole’s own grind: He’s painting poverty and survival raw— and how post-traumatic stress on an “immature brain” leads to bodies dropping. It’s that southern grit, reflecting on how dreams get deferred in the hood. Then Verse 2 flips to straight smoke—Cole’s disgusted, addressing some poser: “Here go a song that gives a shit off… Punk bitch.” He calls out the fake Gs who grew up privileged but act hard: “You grew up with both your parents to teach… So how the fuck all of the sudden, you turnin’ G? / You a slave to the peer pressure, you weak, punk bitch.” It’s repetitive and relentless, building to a challenge: Cole’s advocating for real accountability over gunplay, tying back to resilience. My road to fame is right with spikes and broken lanes, and tolls I can’t afford but I won’t complain.

    Guest Features: Strategic Sparks That Elevate the Vision

    Cole’s never been feature-heavy, but on The Fall Off, he picks collaborators like a chef seasons a steak—sparingly but impactfully. No overcrowded posse cuts; these guests amplify the narrative without stealing the spotlight.

    •  Future: The Pluto king appears twice on Disc 29, bringing that trap-soul energy. On “Run A Train,” it’s a gritty collab with Future’s signature auto-tune croons over booming bass, lyrics trading verses on hustle and pitfalls. Then “Bunce Road Blues” doubles down with Future and Tems—yep, the same dynamic duo from the Grammy Family. It’s on the first disc, no waiting game, and it slaps as a moody standout.

    •  Tems: As mentioned, she graces “Bunce Road Blues” alongside Future. Her soulful ad-libs and chorus elevate the track’s emotional depth, tying into Cole’s themes of longing and return.

    •  Petey Pablo: On “Old Dog” (Disc 39), the North Carolina legend brings regional flavor, hyping Cole’s evolution with hype-man energy. Lyrics nod to Southern roots.

    •  Burna Boy: The African Giant features on “Only You,” infusing Afrobeat rhythms into Cole’s reflection. It’s a global nod, expanding the album’s scope.

    In closing, The Fall Off is Game 7 clutch—Cole bowing out on top, with lyrics that dissect the soul and features that add just the right spice. If this is really his last, rap’s losing a giant, but gaining a timeless project. Stream it, dissect it, and let it marinate. Peace. How to kill a superhero. 

  • [NEW MUSIC] Last Drink x A Boogie wit da Hoodie

    A Boogie wit da Hoodie released the emotional single “Last Drink” on December 5, 2025, via 300 Entertainment and Highbridge The Label. The track is a melodic, R&B-leaning, and moody song centered on heartbreak and trying to move past a relationship.

  • Queen Latifah Guest Appearance Morning Show With Jennifer Hudson

    Catch clips below of Queen Latifah on The Jennifer Hudson Show.

  • OBK REACTS: What is up with this New Orleans Nigga and these timestamp projects

    OBK REACTS: What is up with this New Orleans Nigga and these timestamp projects

    Firing up something fresh off the runway: Curren$y’s 9/15, dropped on the 15th, and it’s got that Spitta smoke — short, sweet, and stacked with bars over buttery beats.

    Top Down — oh, this is peak Curren$y! Windows down, wind in the hair, lyrics about stacking paper and dodging lames.

    Luxury flex 101! Spitta’s cataloging whips like a dealer but he states “I ain’t have to say that rhyme yall niggas know my problem.”

    That trunk-rattling bass? Chef’s kiss. It’s playful, not braggy — more like sharing the blueprint. Keeps the momentum rolling smooth. Lyrics hit on loyalty and payoff — real talk. Elevated the energy. 9/10, love the guest spots. Beats got that Southern bounce, perfect closer. Leaves you hyped and reflective.

    Wrapping 9/15 — Curren$y’s dropping jewels in under 20 minutes. Strengths: effortless flows, cohesive vibes, killer features. It’s like a quick joyride — don’t overthink it, just enjoy.

    Lines That Touched Our Soul On Curren$y 9/15

    1. “Hop out in some shit’ll have PETA at my front door

    The f**k I gotta front for? It’s Porsches in my arsenal

    Hundred miles and runnin’, these Pirellis still got more to go

    Burnin’ one and rollin’ one, gotta smoke before I smoke

    Only natural stones in this two-tone yellow rose

    Money still the mission, and still remainin’ real while ya gettin’ it

    Gotta let it pile before ya spend it

    If I say I’ma do it, on these white G-Nikes, I did it

    I go hard on a ho’, go coupe-for-coupe with my nigga”

    Song- JetLife Got The Power

    2. “This way bigger than some rap shit

    This the feelin’ of pullin’ your close homies out the trap, and sh*t

    This that money in the mattress” Song- Paid In Full

    3. “Can’t be afraid of the grind, can say that a thousand times

    Won’t sink in some ni**as minds, that make them a waste of time

    Can’t be no friends of mine, ’cause I’m out her’ gettin’ mine

    Song- Top Down