Category: Hip-Hop

  • Da Baby – BE MORE GRATEFUL – 7.8 (Music Review)

    Da Baby – BE MORE GRATEFUL – 7.8 (Music Review)

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    Honorable Mentions

    1. DON’T INSULT ME (Ft. Twin)
    2. PAPER LOW
  • J. Cole The Fall Off Tour [Dates]

    J. Cole The Fall Off Tour [Dates]

    Fresh off The Fall Off, JERMAINE COLE announces a world tour.

  • 2026 Grammy Awards: Urban Genres Steal the Spotlight

    2026 Grammy Awards: Urban Genres Steal the Spotlight

    The 68th Annual Grammy Awards delivered a powerhouse night for urban music, with rap and R&B categories showcasing innovation, raw lyricism, and soulful vibes. Amid a diverse field of nominees, artists like Kendrick Lamar, Kehlani, and Leon Thomas emerged as the evening’s urban MVPs, sweeping key honors and underscoring the genres’ enduring cultural pulse.

    Rap’s Royal Sweep: Kendrick Lamar Reigns Supreme

    Hip-hop’s throne was firmly claimed by Kendrick Lamar, who dominated the rap field with a staggering four wins, cementing GNX as a critical darling. The Compton visionary took home Best Rap Album for GNX, a genre-bending project blending introspective bars with experimental production. He also secured Best Rap Song for the gritty “tv off” featuring Lefty Gunplay, Best Melodic Rap Performance for the haunting “luther” alongside SZA, and contributed to Best Rap Performance on Clipse’s “Chains & Whips” (with Pusha T, Malice, and Pharrell Williams), a nostalgic yet fierce collaboration that nodded to rap’s golden era. Lamar’s haul highlighted his versatility, from melodic introspection to hard-hitting posse cuts, while nominees like Cardi B (“Outside”) and Doechii added fierce competition but couldn’t dethrone the king.

    In a broader nod to rap’s evolution, albums like Clipse’s Let God Sort Em Out and Tyler, the Creator’s CHROMAKOPIA contended for Album of the Year, signaling urban sounds’ mainstream crossover power.

    R&B’s Soulful Renaissance: Kehlani and Leon Thomas Shine

    R&B brought emotional depth and fresh voices to the forefront, with Bay Area songstress Kehlani leading the charge. She clinched Best R&B Performance and Best R&B Song for “Folded,” a vulnerable anthem co-written with Darius Dixson and others that captured heartbreak’s quiet storm. Leon Thomas, the multi-hyphenate producer-turned-solo star, matched her energy with dual victories: Best Traditional R&B Performance for the smooth “VIBES DON’T LIE” and Best R&B Album for MUTT.

    Durand Bernarr rounded out the R&B triumphs with Best Progressive R&B Album for BLOOM, an eclectic fusion of funk, electronica, and soul that celebrated the genre’s experimental edge.

    Latin Urban’s Global Beat: Bad Bunny’s Timely Victory

    Extending urban’s reach, Bad Bunny snagged Best Música Urbana Album for his fourth Grammy in the category, delivering a poignant acceptance speech on cultural representation amid global conversations on Latinx identity. This win reinforced reggaeton and Latin trap’s Grammy foothold, blending street anthems with polished artistry.

    Overall, urban genres claimed over a dozen wins across fields, with crossovers like SZA and Pharrell bridging rap and R&B. The night pulsed with performances—imagine Lamar’s meditative “luther” set against Kehlani’s raw “Folded” stage moment—proving these sounds aren’t just surviving; they’re reshaping music’s future. As the dust settles, 2026’s urban haul feels like a victory lap for authenticity in an AI-saturated era.

  • Brent Faiyaz scores 8.1, Icon (Music Review)

    Brent Faiyaz scores 8.1, Icon (Music Review)

    Rating: 8.1/10

    Brent Faiyaz’s third studio album, Icon, dropped on February 13, 2026, marking his first full-length project in nearly four years since Wasteland in 2022. A concise yet ambitious pivot from his previous work, blending his signature with more adventurous, vintage-inspired sounds the album feels like a polished gem—sultry, introspective, and forward-looking while nodding to R&B’s roots.

    The opener “white noise” sets a cinematic tone with a two-minute orchestral swell, pulling you into Faiyaz’s world of emotional directness and sonic experimentation. Tracks like “wrong faces” and “have to” showcase his improved songwriting, delivering raw vulnerability over smooth, synth-infused beats. Standouts include “other side.”, “butterflies.”; where Faiyaz’s falsetto glides over dreamy production, and the closer “vanilla sky,” a brief but haunting reflection on fame and relationships that leaves you wanting more.

    While Icon steps away from the sprawling narratives of his past releases, it shines in its brevity and focus. Faiyaz’s voice remains the star—officious, emotive, and effortlessly cool—making this a solid evolution that cements his status in contemporary R&B. It’s not without its flaws; some tracks feel a tad undercooked in their shortness, but the overall cohesion and production quality elevate it.

  • A$AP Rocky – Don’t Be Dumb – 9.1 (Music Review)

    A$AP Rocky – Don’t Be Dumb – 9.1 (Music Review)

    Overall Rating: 9.1/10

    Man wtf is going on with this rap shit. A$AP Rocky done been on some shit since his later release but Don’t Be Dumb is that same ol’ Rocky feel “Hell is going on in that Little Fashion Boy mind”!!

    Don’t Be Dumb out now with digital bonus songs. Flackitoooo I can just hear them screaming Lil Handsome in Harlem now and I ain’t even been there since this dropped. Oh pardon me Flackito Jodye where do Big Unc begin.

    This audio delivers a very studio feel with top-notch sound quality that immerses you right in the mix—crisp, polished, and professional all the way through. The versatile sound keeps things fresh, blending trap beats with experimental vibes that showcase Rocky’s evolution without losing his signature Harlem flair. His rhymes are equally versatile, switching from introspective bars to straight fire, making every track hit different. The excellent collaborations elevate the album, bringing in features that complement Rocky’s style perfectly without overshadowing him. Overall, it’s a great product—worth the grab for fans, especially with those digital bonus songs adding extra value. If you’re into that fashion-forward, boundary-pushing rap, this one’s a no-brainer.

  • Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    After a string of timestamp mixtapes Curren$y is headed out on the road with “The Winners Circle Tour” embarking March 28 with a run of shows 2026. Traveling the globe Spitta Andretti is hitting every major market including the Carolinas, Florida and DMV.

    Performing with him at every stop The 747 Band and special guest Fendi P. Jay Electronica has been confirmed for two show dates.

    Tickets on sale Monday 10:00am (Eastern Standard Time) | https://currensy.fanlink.tv/thewinnerscircletour

    UMH SHOW DATE HIGHLIGHTS 

    March 28 Las Vegas

    April 20 Washington DC

    May 7 Orlando

    May 8 Tampa

    May 9 Miami

    May 10 Jacksonville 

  • Wale heading out on road Everything Is A Lot. The Tour with Smino preview

    Wale heading out on road Everything Is A Lot. The Tour with Smino preview

    Wale’s eighth studio album, everything is a lot., released on November 14, 2025, via Def Jam, explores vulnerability, fame’s pressures, and personal struggles through soulful hip-hop with African influences. Guests include Ty Dolla $ign, Andra Day, Leon Thomas, ODUMODUBLVCK, BNYX, Seyi Vibez, Teni, Odeal, Nino Paid, and Shaboozey. Standouts: “Blanco” on alcohol issues and “Power and Problems” on fame’s downsides.

    Promo highlights a creative Nike Boots ad featuring Smino, directed by Jossh Flores, revealing features amid DC-rooted visuals.

    The “Everything Is A Lot. The Tour with Smino” kicks off May 26 in San Francisco, hitting cities like LA, Denver, Austin, Atlanta, NYC, Chicago, and more, ending July 2 in Minneapolis. Tickets at everythingisthetour.com.

    For full tour poster see below

  • J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]

    J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]

    Boy diving deep into J. Cole’s latest—and apparently final—drop, The Fall Off. If you’ve been riding with Cole since the Come Up days, you know this one’s been brewing for years. Now, in 2026, it’s here as a double-disc. That’s all I got for you gotta keep scrolling, split into “Disc 29” and “Disc 39”. Disc 29 takes us grinding through crossroads in love, craft, and his Fayetteville roots. Disc 39 flips it to a wiser, more reflective older Cole, inching toward peace. It’s autobiographical culture currency, full circle from his early mixtapes to this retirement mic drop. But let’s get into it like Cole himself—raw, introspective, and unfiltered.

    J. Cole, why is it so much rap on this final album? The Fall Off, out now with an array of tracks since we still can’t find “7 Minute Drill” (RIP to that Kendrick diss that vanished quicker than a bad tweet). Future like the same Future Hendrix who got a record with Tems got another record with Tems—double disc and it’s on the first disc. I love when they do not make mistah wait. Since when the Grammy’s ain’t choosing this much? Recording Academy, folded. 

    This Jermaine Cole got the universe feeling like the 20s era again. Who said I can’t talk my s!!t—by now they should know. Is this Game 7 Type S!!t orNAH? Let’s dive in.

    Two Six gatos wild because how Tupac apologizing to Notorious B.I.G. What If Fat Joe was correct we just no comprehende because no hablo un European vosotros conjugation. I thought it was bad at the holograms but these artists get more creative by the day. Cole’s pulling stunts that make you rewind the track just to process—rapping from the perspectives of ‘Pac and Biggie on “What If”? That’s next-level innovation, channeling the ghosts of rap’s golden era to imagine reconciliations that never happened. It’s like he’s resurrecting the 90s beef in a therapy session, with lines that hit the soul.

    Lyrics: Storytelling at Its Peak, Wordplay That Cuts Deep

    Cole’s always been a lyricist’s lyricist, but on The Fall Off, he elevates it to masterpiece territory. This ain’t just bars; it’s narrative therapy wrapped in beats. The album’s concept shines through the lyrics, with Disc 29 feeling hungry and conflicted, like a young Cole hustling back home at 29, questioning everything. Tracks like “Two Six”set the tone with gritty street tales and self-doubt: It’s raw, think boom-bap soul with modern introspection.

    By Disc 39, the lyrics mature into wisdom. “The Fall-Off Is Inevitable” is the thesis track, where Cole philosophizes on fame’s expiration date. Influenced by Nas’s “Rewind,” he narrates life in reverse on some cuts, unmaking achievements to highlight growth. Standout wordplay? Everywhere. On “Old Dog,” he flips canine metaphors for aging in the game. 

    If you’re dissecting bars, this album’s a goldmine—themes of legacy, regret, and redemption dominate, making it feel like a therapy session you didn’t know you needed.

    Spotlight on “Poor Thang”: The Raw, Unfiltered Gut Punch of Disc 29

    Dropping as track 5 on Disc 29, “Poor Thang” hits like a freight train—raw, confrontational, and dripping with that classic Cole introspection. Produced by Cole himself alongside T-Minus and a couple others, it samples Boosie Badazz’s “Set It Off” for that gritty Southern edge, building tension with drum-heavy beats that echo the chaos in the lyrics. This joint is all about youthful ignorance turning deadly, fake tough guys getting called out, and the cycles of violence that trap the young and dumb. It’s peak Cole: blending personal stories with sharp social commentary, making you nod your head while rethinking life choices. The chorus sets the tone hard: “Poor thang, young pup’s playin’ war games / He wanted love, but he only made more pain.” Repeated like a mantra, it’s pity mixed with tragedy—picturing a kid chasing respect but ending up in cuffs, with some old lady shaking her head, “Poor thang.” Verse 1 dives into Cole’s own grind: He’s painting poverty and survival raw— and how post-traumatic stress on an “immature brain” leads to bodies dropping. It’s that southern grit, reflecting on how dreams get deferred in the hood. Then Verse 2 flips to straight smoke—Cole’s disgusted, addressing some poser: “Here go a song that gives a shit off… Punk bitch.” He calls out the fake Gs who grew up privileged but act hard: “You grew up with both your parents to teach… So how the fuck all of the sudden, you turnin’ G? / You a slave to the peer pressure, you weak, punk bitch.” It’s repetitive and relentless, building to a challenge: Cole’s advocating for real accountability over gunplay, tying back to resilience. My road to fame is right with spikes and broken lanes, and tolls I can’t afford but I won’t complain.

    Guest Features: Strategic Sparks That Elevate the Vision

    Cole’s never been feature-heavy, but on The Fall Off, he picks collaborators like a chef seasons a steak—sparingly but impactfully. No overcrowded posse cuts; these guests amplify the narrative without stealing the spotlight.

    •  Future: The Pluto king appears twice on Disc 29, bringing that trap-soul energy. On “Run A Train,” it’s a gritty collab with Future’s signature auto-tune croons over booming bass, lyrics trading verses on hustle and pitfalls. Then “Bunce Road Blues” doubles down with Future and Tems—yep, the same dynamic duo from the Grammy Family. It’s on the first disc, no waiting game, and it slaps as a moody standout.

    •  Tems: As mentioned, she graces “Bunce Road Blues” alongside Future. Her soulful ad-libs and chorus elevate the track’s emotional depth, tying into Cole’s themes of longing and return.

    •  Petey Pablo: On “Old Dog” (Disc 39), the North Carolina legend brings regional flavor, hyping Cole’s evolution with hype-man energy. Lyrics nod to Southern roots.

    •  Burna Boy: The African Giant features on “Only You,” infusing Afrobeat rhythms into Cole’s reflection. It’s a global nod, expanding the album’s scope.

    In closing, The Fall Off is Game 7 clutch—Cole bowing out on top, with lyrics that dissect the soul and features that add just the right spice. If this is really his last, rap’s losing a giant, but gaining a timeless project. Stream it, dissect it, and let it marinate. Peace. How to kill a superhero. 

  • Queen Latifah Guest Appearance Morning Show With Jennifer Hudson

    Catch clips below of Queen Latifah on The Jennifer Hudson Show.