Category: Music

  • Dance Gavin Dance To Play Upstate New York [Dates]

    Dance Gavin Dance To Play Upstate New York [Dates]

    Dance Gavin Dance is heading out on tour and they will be headlining a show at Buffalo Riverworks May 23, 2026.

    VIP presale tickets available now.

  • Da Baby – BE MORE GRATEFUL – 7.8 (Music Review)

    Da Baby – BE MORE GRATEFUL – 7.8 (Music Review)

    See Header

    Honorable Mentions

    1. DON’T INSULT ME (Ft. Twin)
    2. PAPER LOW
  • J. Cole The Fall Off Tour [Dates]

    J. Cole The Fall Off Tour [Dates]

    Fresh off The Fall Off, JERMAINE COLE announces a world tour.

  • HilaryDuff The Lucky Me Tour [Dates]

    HilaryDuff The Lucky Me Tour [Dates]

    Hilary Duff is BACK and she’s bringing the vibes!

    Dates are live. Who’s manifesting tickets?

    From West Palm Beach to Mexico City (and everywhere in between), she’s hitting amphitheaters, arenas, and all the spots with bops from her new album luck… or something dropping Feb 20.

  • 2026 Grammy Awards: Urban Genres Steal the Spotlight

    2026 Grammy Awards: Urban Genres Steal the Spotlight

    The 68th Annual Grammy Awards delivered a powerhouse night for urban music, with rap and R&B categories showcasing innovation, raw lyricism, and soulful vibes. Amid a diverse field of nominees, artists like Kendrick Lamar, Kehlani, and Leon Thomas emerged as the evening’s urban MVPs, sweeping key honors and underscoring the genres’ enduring cultural pulse.

    Rap’s Royal Sweep: Kendrick Lamar Reigns Supreme

    Hip-hop’s throne was firmly claimed by Kendrick Lamar, who dominated the rap field with a staggering four wins, cementing GNX as a critical darling. The Compton visionary took home Best Rap Album for GNX, a genre-bending project blending introspective bars with experimental production. He also secured Best Rap Song for the gritty “tv off” featuring Lefty Gunplay, Best Melodic Rap Performance for the haunting “luther” alongside SZA, and contributed to Best Rap Performance on Clipse’s “Chains & Whips” (with Pusha T, Malice, and Pharrell Williams), a nostalgic yet fierce collaboration that nodded to rap’s golden era. Lamar’s haul highlighted his versatility, from melodic introspection to hard-hitting posse cuts, while nominees like Cardi B (“Outside”) and Doechii added fierce competition but couldn’t dethrone the king.

    In a broader nod to rap’s evolution, albums like Clipse’s Let God Sort Em Out and Tyler, the Creator’s CHROMAKOPIA contended for Album of the Year, signaling urban sounds’ mainstream crossover power.

    R&B’s Soulful Renaissance: Kehlani and Leon Thomas Shine

    R&B brought emotional depth and fresh voices to the forefront, with Bay Area songstress Kehlani leading the charge. She clinched Best R&B Performance and Best R&B Song for “Folded,” a vulnerable anthem co-written with Darius Dixson and others that captured heartbreak’s quiet storm. Leon Thomas, the multi-hyphenate producer-turned-solo star, matched her energy with dual victories: Best Traditional R&B Performance for the smooth “VIBES DON’T LIE” and Best R&B Album for MUTT.

    Durand Bernarr rounded out the R&B triumphs with Best Progressive R&B Album for BLOOM, an eclectic fusion of funk, electronica, and soul that celebrated the genre’s experimental edge.

    Latin Urban’s Global Beat: Bad Bunny’s Timely Victory

    Extending urban’s reach, Bad Bunny snagged Best Música Urbana Album for his fourth Grammy in the category, delivering a poignant acceptance speech on cultural representation amid global conversations on Latinx identity. This win reinforced reggaeton and Latin trap’s Grammy foothold, blending street anthems with polished artistry.

    Overall, urban genres claimed over a dozen wins across fields, with crossovers like SZA and Pharrell bridging rap and R&B. The night pulsed with performances—imagine Lamar’s meditative “luther” set against Kehlani’s raw “Folded” stage moment—proving these sounds aren’t just surviving; they’re reshaping music’s future. As the dust settles, 2026’s urban haul feels like a victory lap for authenticity in an AI-saturated era.

  • A$AP Rocky – Don’t Be Dumb – 9.1 (Music Review)

    A$AP Rocky – Don’t Be Dumb – 9.1 (Music Review)

    Overall Rating: 9.1/10

    Man wtf is going on with this rap shit. A$AP Rocky done been on some shit since his later release but Don’t Be Dumb is that same ol’ Rocky feel “Hell is going on in that Little Fashion Boy mind”!!

    Don’t Be Dumb out now with digital bonus songs. Flackitoooo I can just hear them screaming Lil Handsome in Harlem now and I ain’t even been there since this dropped. Oh pardon me Flackito Jodye where do Big Unc begin.

    This audio delivers a very studio feel with top-notch sound quality that immerses you right in the mix—crisp, polished, and professional all the way through. The versatile sound keeps things fresh, blending trap beats with experimental vibes that showcase Rocky’s evolution without losing his signature Harlem flair. His rhymes are equally versatile, switching from introspective bars to straight fire, making every track hit different. The excellent collaborations elevate the album, bringing in features that complement Rocky’s style perfectly without overshadowing him. Overall, it’s a great product—worth the grab for fans, especially with those digital bonus songs adding extra value. If you’re into that fashion-forward, boundary-pushing rap, this one’s a no-brainer.

  • Charli XCX – Wuthering Heights Forces disappointment – 5.4 (Music Review)

    Charli XCX – Wuthering Heights Forces disappointment – 5.4 (Music Review)

    Charli XCX’s latest venture, Wuthering Heights, is an ambitious concept album that reimagines gothic through the lens of hyperpop excess and emotional chaos. A bold pivot from her Brat era’s party-girl anthems, trading sweat-soaked raves for brooding, wind-swept melodrama. But does it soar like Heathcliff’s tormented soul, or does it crash like a poorly mixed demo?

    The album kicks off strong with a monologue or whatever something that wasn’t musical could be heard. Though, That next track “Wall of Sound” It’s catchy as hell, with a chorus that begs for TikTok dances: “ ‘Cause every time I try

    Talking myself backwards

    Away from my desires

    Something inside stops me, oh”

    From there, Wuthering Heights dives into familial dysfunction with distorted guitar riffs, shuffle dance in a way that feels both clever and chaotic.

    Charli’s lyrics shine. 

    Midway through, things get experimental. “Chains of Love” is a standout, blending industrial noise and the albums theme that’s equal parts dance-pop and XCX’s style . It’s the kind of song that could soundtrack a goth rave, showcasing Charli’s underrated vocal range. It’s raw and intimate, a rare moment of restraint in her discography.

    Unfortunately, not everything lands. With repetitive loops that mimic the novel’s class tensions but drag on without much payoff.

    Overall, Wuthering Heights is a fascinating experiment with pop audacity, but it stumbles in execution. It’s got moments of brilliance that affirm Charli’s status as a boundary-pusher, yet too many tracks but casual listeners might find it more frustrating than fulfilling.

    Rating: 5.4/10

    A turbulent ride that’s half genius, half gale-force disappointment—much like the moors themselves.

  • Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    Clockwork Music, Curren$y linking for string of shows “The Winners Circle Tour”

    After a string of timestamp mixtapes Curren$y is headed out on the road with “The Winners Circle Tour” embarking March 28 with a run of shows 2026. Traveling the globe Spitta Andretti is hitting every major market including the Carolinas, Florida and DMV.

    Performing with him at every stop The 747 Band and special guest Fendi P. Jay Electronica has been confirmed for two show dates.

    Tickets on sale Monday 10:00am (Eastern Standard Time) | https://currensy.fanlink.tv/thewinnerscircletour

    UMH SHOW DATE HIGHLIGHTS 

    March 28 Las Vegas

    April 20 Washington DC

    May 7 Orlando

    May 8 Tampa

    May 9 Miami

    May 10 Jacksonville 

  • Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]

    Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]

    Black people do not got no money for kink, Ari! Like, dumb it down sis — why you still thinking about my deep strokes when I ain’t got no scars? This is not an exhibition, ma’am. Chill with the canvas talk.

    That said… ain’t a soul breathing who wouldn’t happily settle for the vocals on this album. Vacancy might have some empty spaces, but Ari’s voice damn sure ain’t one of them.

    “24 Seconds” is the perfect example of the album’s highs and lows. The second half is straight therapy — “everybody needs somebody by their side” hits different. But that first half? It’s giving repeat Ari career mode. Like she tryna cosplay Pop again. The song starts off like a bland Netflix intro, then suddenly turns into an action-packed thriller with no plot. Why the early commercials though? Pick a lane!

    Song Quality Highlights:

    Soft Girl Era – This the one. Ari fully in her spoiled, feminine, “treat me like a princess” bag and I’m seated. It’s like she’s channeling that post-breakup glow-up where you decide life’s too short not to demand the soft life: plush robes, spa days, and a man who knows how to pamper without the drama. The production is buttery smooth with those layered harmonies that make you feel like you’re floating on a cloud of self-care vibes. It’s the track you play when you’re manifesting that upgrade from situationship to queen treatment. If Shea Butter Baby was her introduction to sensuality, this is the evolved version where she’s unapologetically demanding softness in a hard world. Replay value? Infinite

    Company (with Buju Banton) – Cultural reset. That reggae-R&B fusion is nasty (in the best way). Instant classic.

    Vacancy – Smooth, seductive, and the perfect title track. She really singing about wanting somebody to move in and fill the space.

    Final Verdict: 7.5/10.

    Vocals are a solid 10, the vibes are expensive, but some tracks feel a little too artsy or repetitive for the culture. Ari don’t miss when she really sings.