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The Detroit rapper made his way to Orlando Sunday night, for a show at Venue 578 (formerly Firestone Live). Making a grand entrance, Big Sean started the night off with a performance of “Paradise,” standing atop of his rectangular LED screen which housed his DJ, DJ Mo Beatz, and two-piece band, in the back, and played visual on throughout the show in the front.
Big Sean, who will be hitting amphitheaters this summer with J. Cole, treated the small downtown venue as if he was performing in a stadium arena. The “Blessings” rapper was full of charisma and had a stage presence that could not go unnoticed. While his array of lights, fog machines and special effects helped illuminate the stage, at times it could be hard to see the rapper. During Big Sean’s first three songs it was difficult to see the artist, as the overuse of the fog machine blurred visibility.
Big Sean performed cuts from his latest album, including “All Your Fault,” “IDFWU,” and “Win Some, Lose Some.” The show also helped highlight how many big name records Sean has been featured on, performing his verses from “Mercy,” “Clique,” “I Don’t Like” and Wiz Khalifa’s “Gang Bang.” After the whole venue started chanting encore, Big Sean came back out to perform “Too Fake” for the real OG fans.


Usher performing at “URX Tour,” in Orlando, Florida on Friday, Dec. 12. (OBK STAFF)
By OBK STAFF
Usher Raymond in concert may be the closest thing my generation and younger gets to seeing an all around performance similar to that of the late great Michael Jackson, and on Friday night the R&B star brought his “UR Experience Tour” to Amway Center in Orlando, Florida.
No, the “UR Experience Tour” is hardly any rendition of what the seasoned artist will display on his eighth studio album “UR,” which has been delayed and still has no release date. Instead the show was to display how the 36-year-old singer has contributed greatness to multiple genres throughout his 20-plus years in the music industry.
After a blend of “My Way” over Drake’s “0 to 100” — which gave his younger fans a chance to still vibe whether or not they knew the lyrics because they were familiar to the beat — Usher broke out into his first “freestyle” dance session of the show. He would eventually be joined by eight dancers, who he did not mind sharing the spotlight with.
It’s has become extremely rare these days for artist to showcase the art of dance in their performance and let their backing group get solo; so when Usher invited the audience into his past and focused on a part of culture that was deep in his roots it was hard not to be appreciative. It also helped raise the question of would him and his team be able to serve Chris Brown and his crew in a dance battle.
He would even reference the choreography from his “You Make Me Wanna” music video and provide a hidden treasure to those truly paying attention
Mr. U-s-h-e-r didn’t try to reinvent the wheel. The 90 minute set touched multiple areas of the veteran artist song catalog, giving fans all the hits they wanted to hear but in a way he needed them to be heard.
Pop singles like “OMG” and “Without You” were flooded with stage antics, fireworks, flashing lights and a ton of pyrotechnics to help show why Usher has been able to crossover to multiple genres and gain international success. These tracks served as an opportunity for everyone to vibe together.
Meanwhile songs like “Confessions Part 1” and “Let it Burn,” which were song acoustically gave fans the opportunity to sing along. Maybe it’s just me, but it’s amazing that both those songs, and a song like “Climax,” which talks about the complications of a relationship, provided the perfect opportunity for all few guys in in attendance a reason to be hugged up with their ladies.
Without warning, Usher’s long time friend and producer Jermaine Dupri joined him on stage and performed an extensive set of older work from the artist that his day one fans, or “OG fans,” what JD called them, would enjoy. Many of the songs dated back to as far as Usher’s debut album “My Way” and sophomore follow-up “8701.” Jermaine Dupri was 100 percent accurate when he said that “we could do this all night,” because their brief mini set did not even scratch the surface of records they did together.
Whether their defying the traditional formation of a rock ensemble, or crossing over multiple genres to create their own unique sound; indie-band The Devil Makes Three is any thing from your normal group.
The Devil Makes Three (TDM3) ーguitarist and vocalist Pete Bernhard, bassist Lucia Turino, and guitarist and tenor banjo player Cooper McBean ー is a fully string band that blends multiple genres: blues, ragtime, rockabilly, country, punk. Yes, you did read that right; a punk influenced band with no percussionist. And according to Bernhard they do not plan on changing that anytime soon.
“We actually started with a drummer who sang and was a contributing songwriter and singer,” said Bernhard in an email with the Voice. “When he started a family early on in the bands career, I think 2004, he left and we just could replace him. We found we could get by without him and have been doing so ever since.
“That said, we often add fiddle, lap steel, harmonica and other players to our albums and live shows as well. We’re not worried about it only being the three of us on stage or on the records; but we don’t think that drums are always necessary to get people up on their feet.”
All members of The Devil Makes Three are originally from Vermont, however the group was formed and is based out of Santa Cruz, California ー when all members wound up moving there for different reasons.
Despite TDM3 latest project “I’m A Stranger Here,” released October 2013, which they worked with Buddy Miller, the group had never worked with a producer. Prior to that project The Devil Makes Three approached every project with the DIY attitude and self-produced everything solely by themselves.
The Devil Makes Three is currently on a fall headlining tour with support from The Cave Singers. The tour stops in Orlando on Oct. 23, with a show at The Social.
In the interview, excerpts from which are below, Pete Bernhard discusses working with Buddy Miller ー the band’s progress and fame since debuting in 2002 ー their latest album “I’m a Stranger Here,” and how he thinks this is the The Devil Makes Three’ best project to-date.
Q: What were some inspirations for writing songs for the latest album “I’m Stranger Here”?
A: Being a stranger almost everywhere I go was the initial inspiration for the song. After that the song is about how music can last long after the death of the writer and that in a way art can make a person immortal. Some of my favorite songs were written by songwriters we are long long dead and yet people still cover them. In a sense I think this might be what we’re all after. Thus the line “I’m cheating death, i jump the grave”.
Q: Was it intimidating working with Buddy Miller on the latest album?
A: Not at all Buddy is a very cool and approachable person. It was just as though he joined the band as a forth member for an album. We were nervous at first as we are all used to self producing but there was no reason for it. We had a great time working with Buddy.
Q: Do you feel this is your best work?
A: I do feel that way. It was the most fun we have had in the studio and I hope that comes out in the listening.
Q: How do you feel about the band’s progress with fame and touring?
A: We have always had a slow rise in our group and I wouldn’t have it any other way. We have fans who have been with us for 10 years and I am so proud of that. We started as a 100% DIY operation and have grown into what we are today. We have no one to thank but our fans for our success.
Q: What’s your thoughts on when someone tries to categorize your music?
A: We try to avoid categorization when ever possible. As Captain Beefheart once said: “The bottle I come in doesn’t have a label.” I think music is categorized in order to be sold, sorted and understood. But you don’t have to understand music to enjoy it.
We like music from so many different styles, we combine them at will and what you hear is the result of that unholy union.
The Devil Makes Three with The Cave Singers. Thursday, October 23 at 7:30 p.m., The Social, 54 N Orange Ave, Orlando, 407-246-1419, thesocial.org $20.
By OBK
Soko will be performing as an opening act for Foster the People’s concert at the Hard Rock Live, Saturday, Oct. 18.
From teeny-boppers to Oscar winners, nothing is ever enough for celebrities these days.
Over the years we have witnessed many actors attempt to add the title rock star to their entertainment resume; some in hope to gain a new fan base, and others to show their already loyal following another side of their personality. For French singer-actress Soko, it was more so she could have a better creative outlet that would make her feel self content, as well as one where she could work on her own schedule.
“I thought that acting and waiting for people to value you enough to give you a chance to prove that you’re OK at it was the most boring thing ever,” she said in a recent interview when discussing her reasons to venture into music at this part of her career.
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I thought that acting and waiting for people to value you enough to give you a chance to prove that you’re OK at it was the most boring thing ever.
— Soko
It’s no secret that the Bordeaux, France born star is a very busy individual. In addition to acting and singing, she also directs her own music videos and is constantly on the look out to find new clothing items.
To date, Soko has appeared in more than 10 films, including a performance in Spike Jonze’s Oscar winning film “Her,” as the voice of Isabella. She released her debut studio album, “I Thought I Was an Alien,” in 2012. Throughout the catchy 15-track project, we experience Soko’s dark, vulnerable, seductive and honest persona, over crisp vocals, laced with delicate guitar picking; someone you would enjoy hanging out with but would be on the edge of getting into a relationship with because you’d never would know if she wanted to kiss you or stab you at any given time. The album contained the single “We Might Be Dead By Tomorrow,” which appears in the “First Kiss” viral video. (If you watch closely you will notice that she is also one of 20 strangers kissing for the first time in the experiment.)
By OBK