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Category: Music

  • Walk off the Earth eyes late 2014 for follow up to ‘R.E.V.O.’ (interview)

    Prior to assembling what is now Walk off the Earth and obtaining more than 150 million views on Youtube for a cover to Goyte’s “Somebody That I Used to Know,” Ryan Marshall was just another student in college who played music as an hobby.

    “It was never really a switch,” said Marshall. “You use your education to get a job and pay the bills so that you could do music as a hobby. We were lucky enough to reach a point that our hobby could become our main form of income.”

    During Marshall’s “eight years to get a two year degree” in Economics at the University of Guelph, he spent time performing and playing shows with a band called PinkBelly throughout the Guelph area. While the band eventually separated, he and the group’s drummer, Gianni Luminati, built up a bond and continued to work together.

    “We’ve been together since 2006 — Gianni and I — he’s like my brother,” said Marshall. “We spent so much time together in the studio, and writing songs together and building Walk off the Earth.”

    While Luminati was working as an sound engineer in the Burlington, Ontario area, he and Marshall begin recruiting talent for Walk off the Earth, eventually leading to the reconstruction of three other bands.

    Walk off the Earth: Marshall, Luminati, Sara Blackwood, Joell Cassidy and Mike “The Beard” Taylor are all multi-instrumentalist who combined efforts in 2006. They spent time touring the regional area, until it finally clicked that the group could be so much bigger if they decided to try something new.

    “We got to a point early in our career that we realized that we didn’t want to be touring across Canada — which is this massive country — in a small van with a trailer,” said Marshall. “We did a couple of Warped Tours, and those things and thought ‘we got to find a different way to get to people because no one is going to help us do it. We got to do it ourselves.’”

    This is when the band thought it would be good idea to try viral route said Marshall, who remembers putting out a few videos and getting more than 10 thousand views in a month and thinking “holy crap, we never played for 10,000 people ever and we just hit 10,000 people across the world with one video.” While all members collaborate on the project idea, a big part of the creativity in them comes from Luminati.

    “He [Luminati] has this brain that just creates wild things — that grabs people’s attention in the videos,” said Marshall. “He will bring an idea to me and Sara about a video and we will kind of add things to it.

    “It’s almost like, let’s think of something impossible and bring it in.”

    The group begin building a fan base thanks to their wacky, yet innovating covers of popular songs.

    Walk off the Earth gained their most views and exposure in early 2012 thanks to their cover of Goyte’s “Somebody That I Used to Know.” The video shows all five members playing on one guitar, and gathered over 127 million views in four months.

    The group also received positive responses from both Gotye and his co-singer on the record, Kimbra. They went on to use the song on their album “R.E.V.O.,” their third studio album, and first on a major record label.

    The full length also contained nine original tracks, including a song titled “Sometimes” which was based off something that Marshall had came up with in 2005.

    “It was cool for me and Gianni because we had a demo from four years ago and it was finally coming to life.”

    As “R.E.V.O.” goes into it’s one year anniversary, the group is gearing up for their sophomore major label album. As they near the end of the recording process, they would like for it to come out early 2015 and love for it to come out late 2014.

    In the mean time fans can catch Walk off the Earth breaking instruments at their “Gang of Rhythm Tour,” live or through the group’s Vlogs.

    “It’s pretty fun. We did a European show last year with the same type of crowds,” said Marshall who admits the group breaks one-to-two ukuleles a week.

    “When you’re in it (the show), you don’t really feel how epic it is until you go back and watch the videos,” said Marshall. It’s cool because you get to see the fans flipping out. When you’re on stage, you’re thinking where do I got to be for the next song and got to make sure I duck so I don’t get hit by that guitar flying across stage.

    “You don’t always see the reaction of the fans is what I’m trying to say, so it’s good to be able to watch videos like that because it gives you that much more reason to want to get back on stage the next day and kick butt.”

    By OBK

  • The Neighbourhood ready for UK tour following Grammy’s gig (Interview)

    Have you turned on your TV lately and thought something was wrong with your antenna — thought maybe you went to sleep and woke up in the early 1900’s — because everything was in black and white?

    Have no fear, you were probably just watching a music video by breakout rock group The Neighbourhood.

    Don’t let their name fool you, The Neighbourhood is not a band out of the U.K. In fact, the band who plans to be the biggest group of all time reigns from the West Coast. California to be exact.

    Members Mikey Margott, Jeremy Freedman and Zach Abels were best friends growing up and started a hardcore punk band in high school. Through that they met Jesse Rutherford in his band — became best friends and never looked backed on anything else.

    “I personally couldn’t do college,” said Abels, one-of-the-band’s-two guitarists. “That whole thing doesn’t make sense to me. I’d rather work my ass off in something else that I was interested in.”

    The Neighbourhood sound mixes your traditional alternative rock sounds with a genre that has not even been created yet. When the guitarist biggest influences are Metallica, the Beatles and failure, and the the lead singer comes from a background that has a big influence on the production and even how he writes his melodies, the group as a whole is set to stick out.

    The group has built a platform around the colors black and white, which has become their vision and everything that represents them.

    “We make decisions based off of the world we live in which is black and white. So when anyone wants to work with us in anyway they have to have respect with our vision for it to work out,” said Abels. “We selected black and white because it felt right with everything we wanted to do, like the vibe of our music to our artwork. It just made sense to us doing it that way.”

    The group broke out into the spotlight in 2013 following the release of their single “Sweater Weather,” which reached the top of the Alternative chart and stayed there for 11 non-consecutive weeks.

    While the group is extremely grateful of the success that they have attained, they are not satisfied with their progress and still feels as if they have so much more to prove. Not only to themselves but to everyone who has supported them thus far. “ We’re always thinking what’s next and we won’t stop until we get to the level that we want to be at,” stated Abels.

    The Neighbourhood continues to push the boundaries and has no problem being different. In their “Afraid” video, the band aimed to make everyone watching it feel vulnerable.

    “Our way of doing it was to literally have someone naked in the video and make the audience feel uncomfortable and be as raw and real as possible with them. And yes I do think it conveyed the message that we were trying to say,” said Abels.

    The group made multiple stops in Central Florida in 2013, touring in support of Imagine Dragons and performing in the first ever Coastline Festival presented by Live Nation.

    “It was really fun! Our set time was right when the sun was setting so it set a really cool vibe for our performance and the crowd was ridiculously good,” Abels recalls.

    Like many of the bands on the Coastline bill, The Neighbourhood had a pretty amazing year as breakthrough artist. With a new year just underway, the sky’s the limit for the Hoodlum’s commanders.

    “All I can say is that we’re going to keep moving forward and pushing boundaries as much as possible and we’ll see what comes from it.”

    By OBK

  • Brad Paisley enlist help from few friends at Amway Center (review)

    Brad Paisley performs at the “Beat This Winter” tour at the Amway Center in Orlando, Fla. on Saturday, Jan. 25, 2014. (OBK STAFF)

    By OBK STAFF

    Brad Paisley amazed everyone Saturday night at the Amway Center in a big way. As fans were in the middle of a two-hour set from the West Virginia native, they were surprised by an appearance from Rascal Flatts.

    The Rascal Flatts cameo was just another way Paisley entertained the crowd.

    Paisley’s elaborate stage setup included a gigantic video board that played music videos, lyric videos and fan shots throughout the concert. One music video included a Captain America theme for “American Saturday Night.”

    (Photos from the night)

    Paisley also used the video board to pay tribute to fallen country music stars George Jones and Johnny Cash.

    He performed new songs like “Outstanding In Our Field,” with the help of Chris Young, and “Beat This Summer,” while mixing in old songs “Celebrity,” “Mud On The Tires” and “Alcohol.” In addition to performing his own songs, he also covered “Hot For The Teacher” by Van Halen.

    Rascal Flatts joined Paisley on stage to perform Merle Haggard’s “I Think I’ll Just Stay Here and Drink” and their own single, “Fast Cars and Freedom.”

    While performing on the extended stage near the middle of the floor, Paisley brought an extra guitar out and gave it to a fan who brought their child with them.

    He continued showing off his generous side by grabbing a fan’s cell phone and recording video of the crowd and himself singing.

    Paisley joked during the show that he brought the cold weather with him for the “Beat This Winter” tour and that Florida fans are “spoiled rotten” for enjoying warmer weather for most the year. “If you can ride roller coasters in this month, it ain’t fair,” said Paisley.

    Paisley relied on NBC’s “The Voice” winner Danielle Bradbery and Chris Young as opening acts. Paisley would later joke during the concert that Young is a really nice guy, and even gives out massages to various members of the touring crew.

    In addition to a surprise appearance from Rascal Flatts, Paisley also had a duet with Carrie Underwood when the production crew beamed her up by lasers, in hologram form for their song “Remind Me.”

    Paisley joked that fans could have done anything else on Saturday night other than look at his “ugly” face, but it appeared as though they didn’t mind too much.

  • Country music gets a new spice with Dee Jay Silver (interview)

    America’s most traditional genre is getting a new burst of energy and you can thank a man by the name of Dee Jay Silver for that.
    Who is Dee Jay Silver? Well that all depends on who you ask: to his family and friends – a cool guy by the name of John Perdue who likes to party, to the Tennessee Titans front office — a die-hard Dallas Cowboys fan who DJ’s at all of the Titans home games, and to other country DJs — he is a pioneer.

    Silver is no different from any other Dj if you ask him. After djing in college for about three-to-five years as a second job so that he could make extra money, he realized that he could make a living out of it. “I figured if I’m going to do it, then I’m going to do it right,” said Silver, who began to take it more serious and export more time and energy into the field.

    “When I got signed to my manager, I was like ‘I want a record deal.’”

    From performing at rapper’s Nelly after parties — to mixing at small clubs — Silver has come a long way in the 18-plus years he has been involved in music. In the past year, not only did he become the first Dj to ever play the Academy of Country Music Awards, but he also became the first Country Dj to be signed to a major record label, landing a deal with RCA Nashville, which is part of Sony Music Entertainment.

    Silver is not trying to reinvent the wheel, instead just add some nice rims to it.

    “There’s no one who listens to just one genre of music,” said Silver. “No one wants to go anywhere and hear one solid song for five hours. Everyone wants to be entertained. I tell everybody, ‘I’m not trying to recreate country music, I’m just trying to get people who wouldn’t usually listen to country music to listen to it and become country music fans.’

    “The people who say they don’t like country are like the people who say they don’t like sushi, because they never really gave it a try.”

    As a man who looks at his beer as always half empty, Silver just wants people to know that country is party music.

    With the release of his EP “Country Club” last June he helped prove that. The project’s opening track is a remix that blends Carrie Underwood’s “Two Black Cadillacs” with Dolly Parton classic “Jolene.” While the track combines two of country’s premier female vocalists into one tune, Silver states that it just kind of fell into play.

    The four-track EP is a recommended listen for all music fans and will have you wanting more after first listen. While “Country Club” is a project released for purchase, the Dj/ producer often puts songs on his Soundcloud for free streaming purposes, including his remix of Rihanna’s ‘Pour it Up” and a mix of Chris Young’s “Aww Naw.”

    Silver is currently on tour in support of Brad Paisley’s “Beat This Winter” tour and acts as more than just a hype man. While on Jason Aldean and Luke Bryan’s tour he performed for 15-minutes before each artist went on to keep the crowd engaged, he is an actual part of Paisley’s show and not a middleman.

    “I am on stage for four songs with Paisley,” said Silver. “”I bring Brad on the stage and I do four songs with him. I do the encore with him. I also play between sets for 5 to 10 minutes.

    Following many shows, Silver has also become host to his own official after party, the “Country Club.” “I don’t think it would be fair to Brad if I called it the official Brad Paisley after party,” said Silver.

    “I’m building a brand. A brand that is strong enough to put my own name behind it. When I hear “Country Club” I think party and I want people to think the same thing.

    “When people see Dee Jay Silver — when people see Silverwear — when people see “Country Club,” I want people to associate good times, party rock and laughing with their friends. I want people to understand that when Dee Jay Silver is there it’s going to be a party.”

    Silver had a productive 2013 and looks as if he will carry that over into 2014. His country mix radio show is now being nationally syndicated and can now be heard outside of Nashville.

    He plans to have his clothing line Silverwear in full swing by early summer, and will also be going on his own Spring Break tour, making stops in multiple cities in Mexico, as well as a performance in Panama City.

    “Being able to play these festivals you see how passionate people are about the genre,” said Silver. “Country music is cool. Trust me we are people you want to hang with.”

    By OBK

  • To Write Love On Her Arms Makes Orlando Heavy and Light Returns

    Jon Foreman did not let 30 stitches stop him from headlining the seventh annual “Heavy and Light” show presented by To Write Love On Her Arms Sunday night at the House of Blues.

    Foreman, who is the lead singer of Christian rock band Switchfoot, slashed his face during a morning surf last Monday in his hometown Encinitas, Calif. He fully recovered, however with more than 30 stitches — many of which are inside his upper lip — he was not able to sing for a couple of days and was forced to cancel Switchfoot’s album release party. This had the founder of To Write Love On Her Arms’ (TWLOHA) Jamie Tworkowski nervous that he would have to reschedule the yearly event.

    Prior to getting into the first song of his set “The Cure for Pain,” Foreman was given a care package by event attendee Allie Sinclar. The package contained a list of miscellaneous items as well as a small note to go along with it.

    Foreman took the stage backed by a cellist, Keith Tutten, and drummer, Aaron Redfield of Fiction Family and performed music from his solo projects as well as singles from his group projects including “Dare You To Move” which he performed with no microphone in unison with the crowd.  

    Grammy-nominated artist Mary Lambert opened up the musical acts with a combination of spoken word and song. Lambert mixed heavy songs with light commentary to keep the night at ease. The 24-year-old artist sang original pieces, including “She Keeps Me Warm,” which was the basis to Macklemore’s and Ryan Lewis “Same Love” chorus.

    When Lambert was not singing and playing the piano, she would reminisce on her past and the time she wrote her first spoken word piece about being a gay-Christian. She even managed to make her way back onto the stage to help Foreman perform “The World You Want.”

    Lambert was not the only artist on the bill to assist Foreman on stage following their set. Summer Set’s vocalist Brian Dales provided tunes for not one, but two songs during Foreman’s set. Dales and Foreman performed their own rendition of Lorde’s single “Royals,” and “This is Home” which appeared in a Disney film (I guess it’s only right to pay homage to the mouse when your in his home).

    The tour’s name hits the nail right on on the head. While musical sets by Tristan Prettyman and The Summer Set where what brought many out, it was their personal messages in between songs which kept people engaged.

    It was the stories from 20-year-old Kevin Breel, who discussed how the “hardest choice I ever made was staying alive” just hours after leading his high school basketball team to the State Championship in 2011. It was the spoken word pieces from poet Anis Mojgani, who showed listeners that everyone deserved to be loved.

    The event was live streamed for those who could not make it out to the show, and ended with a finale which contained all acts from the night singing “Lean on Me.”

  • Concert review: Charli XCX, Kitten play Social

    Wait, was that a Twerk

    Charli XCX performs at The Social in Orlando, Fla., on Wednesday, Nov. 20, 2013. (OBK STAFF)

    By OBK

    All age shows are always interesting and full of unique people. This was no different Wednesday night at The Social for English-diva Charli XCX and indie-rock band Kitten.

    While the doors did not open until 7 p.m., there was already a pretty decent line formed at 5:30 p.m. when I arrived to interview Chloe Chaidez of Kitten before the show. Some fans so early that they beat both artist to the venue and stated that they watched them arrive in their “normal clothes.”

    In the front of the stage, teens kept their “X” marked hands waving from side to side for the entire show, as their chaperones and miscellaneous older-couples drank and danced away by the bar.

    Decked out in all black, headliner Charli XCX approached her blue LED mic stand — backed by a band made up of schoolgirls band — and the already energetic crowd excitement quickly escalated even more.

    Charli opened up her 70-minute set with rap song “What I Like,” and gave those who never heard her major-label debut, a chance to enjoy “True Romance” in it’s entirety, as she ran through almost every song on the tracklist. While her performance to Icona Pop’s popular single “I Love it” — which she featured on and co-wrote — got the crowd jumping, it was her original material that got them to shake the club.

    Her latest single and fan favorite of the night “Super Love” went over well with the audience as the singer gyrated, giving her best 2000 Britney Spears’ reenactment. If Charli was not at the microphone stand she was out interacting with the crowd, showing she could also be a hardcore-rocker. During “You (Ha Ha Ha)” the singer thrased around the small stage, and during “Take My Hand” she encouraged members of the audience to do just that, as they pulled her into the crowd during the upbeat party anthem.

    Before ending her set with hard-hitting synth-pop jam “Grins,” Charli invited Chaidez on stage to join her in covering Bow Wow Wow’s “I Want Candy.”

    Kitten opens up for Charli XCX at The Social in Orlando, Fla., on Wednesday, Nov. 20, 2013. (OBK STAFF)

    Kitten did not let Charli XCX have all the fun, as the band kicked the show off. Lead by Chaidez, who performed the entire set shoeless, the band got into the thrasing early.

    From their lead singer down to their keyboardist, the band packs a ton of energy. Shows always go well when the crowd is familiar with the opening act, and doesn’t mind showing up early to see everyone perform.

    The band is a group one must witness live to fully enjoy. While their recordings are very clean and polished, the group provides more of a raw feel when on stage.

    It’s no surprise that Chaidez favorite song to perform is “Like A Stranger.” The album-titled track mixes an 80’s pop-funk vibe with a new wave synth sound, that someone of any age could enjoy and dance to.

    Chaidez lioness-like personality really transcended into the groups set. Not only does she provide excellent vocals, but the chick can dance. If she was not shaking her tail feather alongside her backing vocalist Fiona Grey, you could catch her on stop of the speakers raging, or mounted on the back of an audience member’s neck. With so much movement and so much hair, at times one could think Cousin Itt performing.

    She even took the time to honor a few fans of hers who tweeted her earlier in the day, letting her know they would be sporting homemade tutus.

    Both acts provided a very interesting sound, transitioning their recorded material into a live set that gave old songs new feels. It was cool to see them interact with everyone at the merchandise table following the show, providing that true fan experience.

    (Photos from the night)