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Category: Music

  • Concert review: Every seats a good seat for Josh Groban and Judith Hill

    Concert review: Every seats a good seat for Josh Groban and Judith Hill

    Josh Groban melted the hearts of thousands of fans with his smooth baritone voice and handsome good looks during a performance for his “In The Round” tour Saturday night.

    During a set change, Groban was spotted by fans as he stood peering into the crowd in an area of empty space next to the bleachers. Fans began to shout and take pictures but nothing prepared them for what happened next.

    The crowd erupted in frenzy with many fans screaming out his name and crying as Groban sauntered through the crowd from one side of the Amway Center Arena to the other. Fans on the floor level were rewarded with up close glimpses of hair flips of the star’s signature wavy hair and flashes of his gorgeous smile.

    The arena exploded with loud cheer as the lights dimmed and Groban made his way to the stage to begin the show.

    He opened the show with “Brave”, the first single from his sixth studio album, “All That Echoes,” released in February. He followed up with another song from the album, “False Alarms.”

    In between songs he entertained the crowd with small talk about the weather and chatted about being thrilled to be in a city that he considers amusement park heaven. He also held a short question and answer session, randomly selecting questions previously submitted to him by fans.

    The audience laughed as Groban impersonated the voice of cartoon character Stewie from the show, “Family Guy.”

    After the moments of fun and laughter had ended, Groban got back down to business and softened the mood with an older fan favorite “February Song,” and several other songs that he performed in Spanish and Italian.

    The mood got even softer and more romantic as Groban was joined by opening act Judith Hill for a few duet songs including his song, “Remember When it Rained.”

    Hill is a very talented singer best known for her time spent as a contestant on the NBC television show “The Voice” where she was voted off after making it to the top eight in the competition.

    She was also chosen as a duet partner for Michael Jackson’s “This Is It” tour and rehearsed with him for months leading up to his death. She has recently signed a record deal with Sony Music Entertainment and plans to release an album in the near future.

    Groban intended to close the show with his ultimate hit “You Raise Me Up,” but the rowdy crowd continued to cheer when he finished the song and began to make his way off the stage.

    He gave in and performed one last song by Charlie Chaplin called “Smile.” After that, the fans seemed satisfied, smiling as the made their way out of the arena.

    By OBK STAFF

  • Indie-band The Mowgli’s influences random acts of kindness (interview)

    To have people sing-a-long to your music is one thing, to be influential on their life is another.

    Take Colin Louis Dieden, vocalist of The Mowgli’s. On top of providing a great dance party at their shows, he looks to fill an open void in peoples heart.

    “I originally wanted to be a writer and write books, and then I realized I don’t have near much of an attention span to do that,” said Dieden, who started writing when he was 11-years-old.

    “So I turned to songs and found out I could tell the stories I wanted to tell in three- minutes and 20-seconds. I am able to get out what I need to get out and portray the messages that I feel is important.”

    The Mowgli’s are an eight-piece alternative rock-based band out of Southern California. They are named after a former band member’s dog Mowgli, itself named after a character from Rudyard Kipling’s novel “The Jungle Book.”

    Dieden is originally from Kansas City, Missouri and hooked up with group-mate Michael Vincze when he moved to Los Angeles and started writing music.

    Out of the eight-members in total, five of the members are from the Calabasas area of Northern Los Angeles.

    The group is best known for their single “San Francisco,” which reached No. 11 on Billboard’s alternative chart.

    The single was inspired by Dieden ‘s and Vinczen’s “wild adventure in the city. The song has been included on all three of the groups projects, including their major label debut “Waiting for the Dawn.”

    “Every single show their are more-and-more kids that are singing the words to every song on the record, its a wild thing,” he said.

    “Before when we first looked out into the audience, we seen kids singing the lyrics to ‘San Francisco’ and that was a trip. But now they’re singing the words to every song and it’s one of the most beautiful and humbling things I’ve ever experienced.”

    The Mowgli’s previously toured with Walk Off The Earth, and are currently headlining “The Random Acts of Kindness Tour.”

    “What we try to do is have people leave our shows happier than they came in,” said Dieden.

    They will also be performing on both dates at the Coastline Festival in Tampa and Jacksonville.

    By OBK

  • Q&A: St. Lucia excited for his Florida return

    South African born musician Jean-Philip Grobler, who goes by St. Lucia is set to perform at the first ever Coastline Festival presented by Live Nation.

    Only Black Kid Channel editor caught up with St. Lucia to discuss his newest album “When the night,” touring with Two Doors Cinema Club and performing at outdoor festivals.

    OBK: How and where did the name St. Lucia come about?

    St. Lucia: One day, out of frustration, I took a map of South Africa and a pen,closed my eyes, put the pen down on the map a few times, and the fifth try was St. Lucia. In that moment, everything made sense to me about the project.

    The South African St. Lucia, similar to the Caribbean St. Lucia, is a sub-tropical coastal area, and I used to vacation there as a child. The fact that the music I was developing has this hazy, nostalgic, melancholy feeling to it, and most of my memories of St. Lucia were the same made everything fall into place for me.

    OBK: You grew up in Johannesburg, South Africa, and then moved around to Liverpool and Brooklyn. How has your times in different parts of the world influenced your music?

    SL: I think that being fortunate to not only visit but to actually live in all of these different places has afforded me a fairly unique perspective on the world of music, and to not beholden to one scene or style.

    All of the places I’ve lived have contributed amazing things to the world of music, but I noticed that often people who were a part of those scenes, or who had only ever experienced that one scene had a fairly narrow view of what music could or should be. Sometimes that approach turns out really well, but I’ve always been attracted to broader musical horizons.

    OBK: What type of reception have you been hearing on of your newest album “When the Night?”

    SL: From what I’ve read the reception has been good, but I try not to put too much credence into what other people think about my work. That being said, I’m fully aware that without other people liking my music I wouldn’t really be able to make it, so, of course I’m happy that people are enjoying what I’m doing and that I’m able to continue doing what I do.

    One of the things that keeps coming up is that people seem to think that the album seems to get better with each listen. I’m glad that it has that effect because my favorite albums are ones that grow and reveal themselves over time, as well as being satisfying on the first listen.

    OBK: Is there anything on “When the Night?” that you wish you could go back and change, and how will you incorporate that into your next project?

    SL: The fact that the album was made over such a long period of time means that there are inherently things that I would have done differently if I’d recorded all the songs at the same time.

    That’s not for better or worse, it’s just that my tastes have shifted slightly and my knowledge of certain instruments has grown over that time period. I do think that the songs being recorded over such a long time serves the album because it gives it a broader sonic palette.

    OBK: Your touring with Two Doors Cinema Club, how has that been? Any stops you remember most?

    SL: It’s been great! These kinds of tours are always whirlwinds for us because we have such long distances to drive each day, and so we can’t stay up or out too late each night. It’s kind of like getting a little sampler of each city that you’re in, but to me that’s better than not seeing the cities at all.

    I think that one of my favorite parts of the tour was driving from Calgary to Vancouver through the Canadian Rockies. Probably the most dramatically beautiful scenery I’ve ever seen on tour.

    OBK: Have you ever toured in Florida, and what do you expect coming in?

    SL: We played in Miami and Orlando on our tour with Ellie Goulding, and both stops were a lot of fun. I always love getting to the South because of the weather and how good it smells. Hopefully we’ll get a chance to go to the beach as well.

    OBK: Which do you prefer, indoor shows or outdoor festivals?

    SL: Both types of venues can be great. However, there is something to be said for an outdoor stage in front of a sea of people in the perfect weather as the night is rolling in.

    By OBK STAFF

  • 3OH!3 needs your energy (interview)

    As the “Journeys Noise Tour” looks to get over the halfway mark, electronic-rock duo 3OH!3 makes their way to Orlando.

    3OH!3 is made up of Sean Foreman and Nathaniel Motte — natives of Boulder, Colo. — the band is named after the city’s 303 area code.

    Best known for their 2008 single “Don’t Trust Me,” which reached No. 7 on the Billboard Hot 100. The group’s commercial success has garnered them song placements on “The Real World: Cancun” and the opportunity to write an anthem for MLB’s Colorado Rockies.

    “In the end of it we are not trying to ride the trend wave; we are just trying to write music we like, that has a lot of energy,” said Foreman in a recent interview with the Voice.

    “Hopefully it’s a good song at the end of the day and you can listen to it five- years from now and not just be like ‘oh that’s just some dubstep song’ but instead be like ‘oh that’s a 3OH!3.’”

    3OH!3 released their fourth studio album “Omens” this year under Atlantic Records imprint Photo Finish Records.

    The “Journeys Noise Tour” is the first opportunity the duo has had to tour the album.

    “We play a handful of songs off the album and people know the words so that’s always a good test,” he says.

    “I think for us it’s all about the energy of the show and having a good time. I think that happens when we perform stuff all the new album as well as the old.

    The duo is at the half way mark of the tour and not looking to slow down. They makes their way to House of Blues on Thursday, Nov. 7 and can not wait to perform in Orlando.

    “We’re just kind of got over the half way mark, and still feeling good. We’re having a good time but we’re just excited to get back down to Florida.”

    30h!3 will be supported by some of their favorite bands; The Summer Set, Wallpaper and New Beat Fund.

    “The worst thing about a band that you like is that they suck live. These bands are all incredible performs; so if you haven’t heard any songs from these guys, when you come to the show you are going to be wanting more,” he added noting 30H!3 personally selected the groups to tour with them.

    All acts have recently collaborated on a track entitled “Turn the Night On.”

    “It’s something about our fans that are great. They are always the fans that show up and check out all the other bands,” said Foreman who saw Wallpaper perform at Warped Tour and got stopped and his track because they put on that good of a show.

    Tickets are still available for $27 via Live Nation and the House of Blues Box Office.

    3OH!3 will be posting updates throughout the tour on their Facebook and Twitter social media sites.

    By OBK

  • Concert Review: Sensual, racy and emotional; The Weeknd seduces sold out Hard Rock

    Concert Review: Sensual, racy and emotional; The Weeknd seduces sold out Hard Rock

    ORLANDO — Sex, drugs and more sex — “Warning this show contains mature content,” guest are advised as they entered the Hard Rock Live, Friday night for the sold out “Kiss Land Fall Tour”.

    From the parking lot to the venue, everything belonged to Abel Tesfaye (who goes by The Weeknd). The music Gods provided a perfect setting for night — hipster chicks dressed in mom shorts, band tees and winter skully hats — natural herbal- substance aroma filled room, while a dark foggy overcast served as a welcoming background outside, mirroring the mood that would take place inside.

    Serving as the perfect composer, Tesfaye added to the ambiance providing free condoms at his merchandise table, along with a video display of two girls fornicating with each other on his stage backdrop.

    “How many of you have heard my new album ‘Kiss Land’?” asked the 23-year old singer out of Toronto Canada to the sold out crowd. “For those who didn’t I wanted you to experience the new songs like this, with the fans singing along and weed smoke being blown in the air.”

    Who is The Weeknd and how did he get so popular? How has a guy who has made it his duty to stay out of the tabloids become such a fan favorite, hosting his second consecutive sold out show in Orlando not even a year apart.

    The human nature of Prince with vocal abilities resembling a paranoid Michael Jackson, The Weeknd and his new age R&B style has taken over Generation Y.

    Performing almost every song of his new “Kiss Land” album, which debuted at No.2 on the Billboard 200 list — The Weeknd transited over the Japanese themes to his performance, quick infomercials of Japanese hotlines and hentai characters served as transition pieces as he moved from one song to another.

    About as mysterious as they come, Tesfaye opened up his set with “Adaptation” behind a sheer curtain, forcing fans to enjoy his singing skills and not dwell on his personal presence (much like how his career has been).

    While it was the “Kiss Land Fall Tour”, The Weeknd made sure to perform “the fucking classics.” Paying homage to his first piece of work, Tesfaye performed songs of off his mixtape “House of Balloons”: “The Zone,”  “The Morning,” “Wicked Games” and a few more. But he did not venture off into his other two projects “Echoes of Silence” and “Thursday” during his sensual 90-minute performance which fans sang along to every time.

    At one point during the show you could tell that Tesfaye was caught off guard that he had such a loyal following, as the crowd managed to overpower him being so loud.

    A good performance can truly increase an artist stock and take an individual song to the next level. During “Pretty” we got to see just how egotistic and heartbroken Tesfaye was. With all eyes on him, the video monitors switched from playing videos to a close up of Tesfaye performing live, where fans were able to see the agony this relationship has put on him.

    Beauty, Banks, opened the show and served as a perfect compliant to The Weeknd. If there were a girl on the other end responding to his lyrics it would be her. Afraid to let her talent show at times, the dark themed artist comes off as the cutie that didn’t realize she was hot until way late. Taking a break from performing songs off her latest EP “London,” Banks true talents were displayed during her cover of Lauryn Hill – “Ex Factor.”

  • CFE Arena came out for fun, period (review)

    CFE Arena came out for fun, period (review)

    ORLANDO — Most nights aren’t usually this bright. Most nights aren’t usually this loud. Most nights aren’t usually this interesting. Most nights usually don’t involve Fun..

    A name that certainly fits the trio; Nate Ruess – vocals, Jack Antonoff – guitar, and Andrew Dost – multi-instrumentalist, are everything but boring and proved that Thursday night, during their electrifying 90-minute set at the CFE Arena.

    On the tail end of their headlining “Most Night Summer Tour”, Fun. showed no hint of fatigue that would give any viewer the impression that they have been touring since early January of last year, following the release of their album.

    From the little boy watching the show sitting on his father’s neck — to the college kids pre gaming before they go downtown — to the nice older couple who could not stop dancing in their seats, everyone seemed to be enjoying themselves.

    ”You wanna be louder than Boca Raton, don’t you?,” screamed frontman Ruess as he waved the microphone stand high in the air. Up for the challenge, the nearly sold-out venue conquered Ruess challenge, leaving him wondering “Boca Raton who”.

    Fun.’s pop meets Grease meets rock blend – provides the perfect night for sing-alongs – making it nearly impossible not to be loud. Whether you were right in front of the stage or high up in the stands — the performance involved everyone — involving a cannon full of paper confetti, which rained over the entire stage floor.

    While Ruess controls most of the vocal duties, bandmates Antonoff and Dost make sure their work and contribution to the band is not overlooked — in an attempt to “raise the dead” Antonoff showed off his shredding skills as he lead the crowd in “Rock and Roll” getting everyone to scream “Hey”.

    A performance for the big stage — besides an overhead projector which displayed the band playing live behind the colorful light show — Fun. focused on winning the crowd over with their performance skills and not special effects, as members of the audience danced with complete strangers to popular song “We Are Young” — nodding their heads from side-to-side in unison during songs “Carry On” and “Baralights”, which Ruess dedicated to the crowd.

    From their set opening of a cabaret version of “Some Nights” decked out in matching tuxedos, all the way to their final song Fun. kept their promise of making Thursday night, the best weekday ever. Following their performance — I almost can’t stand how awesome these guys are.

    Canadian twin-sister duo Tegan and Sara opened the show, and performed for just under an hour. The duo let it be known early, that no matter how poorly the crowd would respond to them they were going to rock out and have a good time since it was their birthday. The crowd caught on to their 80’s pop music early and seemed interested in everything they had to say — even when they stopped singing and told stories including their run in with a monkey backstage.

    Photos from the night

    By OBK