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Category: PHOTOGRAPHY

  • Tamar Braxton brings TV to reality with ‘Love and War Tour’ (review)

    LAKE BUENA VISTA ー What better way to end the week then with a packed grown and sexy party.

    “We are at the BBQ right?” asked DJ Slym, host of the event, as he warmed up the House of Blues crowd Sunday night for the “Love and War Tour.”

    DJ Slym, the official Dj for Orlando rapper Caskey, entertained the crowd for nearly 45-minutes before Tamar Braxton hit the stage. With an extensive Dj mix, that blended an array of old school jams with new class ratchet club bangers, he kept the mainly “25 and older” crowd dancing ー whether it be shuffling, the electric slide and of course twerking.

    Mrs. Braxton would carry that energy right over into the first song of her performance. Following the curtain opening, the audience was welcomed by a choreographed dance session by the singers animated backing staff, to go along with a rotating video reel displaying highlights from the singer’s reality TV shows. The woman of the hour would be revealed as uptempo track “She Did That” would come to an end, and the screen would reach its back with her waiting patiently on it.

    Tamar Braxton performs at the "Love and War Tour" at the House of Blues, in Orlando, Florida, on May 18 2014. (Ty Wright / Valencia Voice)

    “What’s up Tamartian fans?” Braxton shouted during uptempo banger “The One,” of her Grammy Nominated album “Love and War,” before breaking into a “Single Ladies” like dance with female dancers to “Tip Toe.”

    The youngest of the Braxton sisters told us earlier in the week that she only has one project in which she would perform songs off, so how would the flamboyant artist keep the crowd engaged and remain original was a big question for me going into the night.

    Not three-songs into the set, Mrs. Braxton would answer that question. Her being herself was the best source of entertainment you could from the artist.

    “You’re not going to like me for me, so I’m just going to be fabulous and you are just going to have to eat it,” stated the artist in one of her neck-rolling, wig-flinging, lip-smacking, in your face, over-the-top, keeping it “100” commentary sessions. Everything one would expect from a diva.

    While the 37-year-old artist did not disappoint on the vocal side of the performance — and songs like “White Candle,” “Pieces” and “Stay and Fight” helped showed her range and draw great amount of applause from the audience — it was her presentation leading up to each song which really seem to connect with her Tamartian fans.

    For a good session of the show, Mrs. Braxton sat on a bar stool and walked everyone through the story of how her and her husband,”Teddy Ruxpin,” got to where they are now, bringing WE tv’s “Tamar and Vince” to front stage. From teaching women how to get, keep and please a man; to encouraging everyone to follow their dreams; as well as a quick twerk lesson during “Hot Sugar,” Mrs. Braxton provided not only an entertaining musical experience but also life-changing advice.

    Prior to getting into the Tamartian national anthem “Love and War,” Mrs Braxton would channel her inner “Yeezus,” in a long-winded speech where she would go on to thank thank acts John Legend and R. Kelly (who she has toured with in the past) for giving her the opportunity to shine. “They helped make my dreams come true! So tonight, on this stage, I’m going to make your dreams come true,” said the singer before she hand picked four Tamartians to help her close out the night.

    From multiple outfit changes, “Chippendales”-esque strip tease during intermission, and outrageously witty commentary, Tamar Braxton’s first national headlining tour solidifies that the she is truly entertaining and what we see from her on TV is truly who she is. However, it does leave speculation on whether this tour is to promote Tamar’s other business endeavors or give “Love and War,” the album, one last push. Incorporating no live band, DJ, or backing singers to give the songs a new feel, the diva is relying solely on the things that got her to this point to succeed. And that’s her sass, amazing voice and willingness to say say what ever comes to her mind without holding back.

  • Darius Rucker brings rock-star vibe to his country show (review)

    ORLANDO — Every family has that one oddball uncle. The one no one truly understands because his current ventures come off as weird if you compare them to things of his background.

    You know, the one who only comes around every so often, however when does he is always bearing gifts. The uncle that all the younger cousins wished was their permanent babysitter because he allows them to underage drink, as long as they don’t tell mom. The one who has people hating him for the same exact reasons everyone else loves him.

    Former Hootie & the Blowfish frontman Darius Rucker was that uncle to Orlando, when he brought his “True Believers Tour” to the CFE Arena on Thursday.

    During his one-hour and 45 minutes set, Mr. Rucker’s setlist featured some country, some covers where he crossover genres, and a ton of Hootie magic.

    Mr. Rucker opened up his set with “Radio” and “Heartbreak Road,” two songs from his certified Gold album which he is currently out touring. With the vibe many of the songs created, he left many wondering: If Hootie & the Blowfish were to come out in the recent years, would they be able to find a home in the mainstream country music scene and climb the charts; as many of Mr. Rucker’s songs as a sol-artist contained ballads that wouldn’t have sounded weird if the rock group was to play them in the 90’. In fact, he introduced the Hootie and the Blowfish song “Let Her Cry” as “the first country song I ever wrote.”

    Mr. Rucker was very casual and all about his business, dressed in blue jeans, a Nike ball cap and matching black shirt and vest. He was not one to talk much while onstage, however when he did it would always get a great response from the crowd. He showed support to UCF multiple times. At one point during the show, he displayed the school’s logo across his giant video screens, behind his massive amount of stage lights.

    Aside from singer’s Corey Smith 30-minute opening set, and the Eli Young Band’s hour-long set, which contained all three of their smash hits “Even If It Breaks My Heart,” “Crazy Girl,” and “Drunk Last Night,” both acts would join Mr. Rucker on stage to perform Hank Williams, Jr.’s “Family Tradition.”

    Mr. Rucker would his set with “Wagon Wheel,” a hit of his which has garnered him great success on the charts and at music award shows.

    While Darius Rucker will always be known for his contributions to Hootie and the Blowfish, spending more than 25-years with the group, he has gone on to make a solo career for himself.

  • Kendrick Lamar performs at UCF’s annual “420 Concert Series”

    Kendrick Lamar stated to CFE Arena that he would be back, when he performed at the venue last year, and Sunday night he lived up to his promise. After taking a break in 2013, UCF brought back their annual “420 Concert Series,” with Mr. Lamar. He was supported by a vast of supporting acts, with the most recognizable act being his Top Dawg Entertainment label mate Jay Rock.

    Mr. Lamar stayed true to his “Control” verse — where he stated that “I ain’t rockin’ no more designer sh*t” —  as he hit the stage sporting a white tee, blue jeans, Detroit Tigers fitted, and a pair of white, blue and gold Nikes (possibly Lebron 9’s). He does not have many show dates on his schedule, so it’s uncertain what Mr. Lamar has been up. Based off of his scruffy look, possibly (hopefully) working on a new album. The Compton, Calif. rapper performed songs dating back to his first project “O.verly D.edicated,” up to singles past his “good kid, m.A.A.d city.”

    Aside from his short set, Mr. Jay Rock would join Mr. Lamar on stage during his performance to play their song “Money Trees” together. During his solo set, he performed his 2011 hit “Hood Gone Love It,’ as well as his verse from Ab-Soul’s “Black Lil Bastard.”

    Orlando-based rapper Caskey also made a brief visit to the stage. While he did not perform, he and his DJ Slim did manage to take over the microphone and hype up the crowd prior to TDE taking the stage.

  • Tech N9ne brings ‘Independent Grind Tour’ to Plaza Live (review)

    Tech N9ne brings ‘Independent Grind Tour’ to Plaza Live (review)

    A rapper that spits rapid-fast aggressive lyrics, paints his face, draws a hardcore cult fanbase, and is named after a semi-automatic handgun, just doesn’t sound like the guy you want to walk up to and attempt to start a conversation with.

    Kansas City rapper Tech N9ne brought his “Independent Grind Tour” to Orlando Thursday night, performing at the Plaza Live — his first time ever at the venue.

    “We like this place, so don’t do anything stupid. We’re trying to come back here next year,” said the show’s hype man to the crowd, before exhibiting his utterly disgust for another Orlando venue which Mr. Tech N9ne has performed at in the past.

    In attempt to get a feel for his audience, Mr. Tech N9ne disguised himself under a red Jabbawockeez mask and wandered throughout the Plaza venue; grabbing a few drinks at the bar and even catching the entire set for opening act Psych Ward Druggies.

    By the time it was his turn to take the stage, Mr. Tech N9ne had did a complete outfit change. Dressed head-to-toe in a black mechanic outfit with white face paint, the independent rapper out of Kansas City Mo. displayed his showmanship in his 90-minute set.

    Tech N9ne performs at the "Independent Grind Tour" at the Plaza Live in Orlando, Fla. on April 17, 2014. (Ty Wright / Valencia Voice)

    Quite interesting, fan were more into actually experiencing the moment  instead of recording it on their smartphone. For most of the show — despite when Mr. Tech N9ne encouraged female audience members to climb on top someone shoulders and display their breast — if one was to look out into the audience all they would see is “strange” people with their face painted, dancing, raging and moshing, not being distracted by technology and the outside world.

    Mr. Tech N9ne was accompanied by Strange Music labelmate Krizz Kaliko, dressed in similar attire minus the face paint. The two put on what appeared to be a choreographed hip-hop show; non-stop motion, timely stage exits and arrivals between songs, and synchronized dancing.

    While his pop locking skills; Motown like moves; and machine gun type flowing were entertaining, he was at his strongest during his more intimate sessions of the set. He let the crowd in on his sensitive side as he introduced popular single “Fragile,” which features Kendrick Lamar, ¡MAYDAY! & Kendall Morgan. While none of the artist were their to assist in the performance, Mr. Kaliko would help provide backing vocals — much like he did the entire night.

    Rapper Freddie Gibbs, out of Gary, Ind., acted as the main opening act and had no problem demonstrating to everyone why he is called Gangsta Gibbs. Throughout his set, he would get everyone of the audience to scream “f*** the police” every chance he got. Mr. Gibbs took a more simplistic approach, gaining the attention of the crowd with less attention to the production aspect, but more on his bars and Acapella flows.

    Jarren Benton opens for Tech N9ne at the "Independent Grind Tour" at the Plaza Live in Orlando, Fla. on April 17, 2014. (Ty Wright / Valencia Voice)

    Funk Volume’s Jarren Benton also served as a support act for the “Independent Grind Tour.” He was backed by “the worst DJ ever,” who kept his identity hidden behind a full-face mask; and a crazy-haired drummer. He wasted no time on the turn up, quickly heading to the guard rails to get close and personal with the crowd. Mr. Benton is a very charismatic artist. He commands the stage, while giving fans the opportunity to perform on a big stage, even if it’s only as his hype man.

  • T. Mills first headlining show in Orlando

    It did not take T. Mills long to strip down to his white sleeveless hoody, and display his tattoos at his “All I Wanna Do Tour” when it played the Social here on Saturday night. In fact, it only took one song to be exact. His audience — 95 percent populated of females in their early-twenties late-teens — ate up every minute of it.

    While the 24-year-old out of California, born Travis Tatum Mills, has played in the city multiple times in the past, this show was extra special to him. It was his first time headlining a show in Orlando.

    Mr. Mills is a hybrid artist, with his sound switching between and mixing mainly three genres: rap, synthpop, and punk rock. While each song contained a different feel from the one previous, all the lyrics were the same, rude and catchy. During his high energy “Loud,” you could see Mr. Mills appreciation for his fans, as they battled back-and-forth with him through the lyrics.

    The charismatic Warped Tour alumnus was all over the stage with his gold microphone, taking the time to perform songs from his earliest projects; new EP “All I Wanna Do”; and even unreleased content, which is most likely to appear on his debut album with Columbia due sometime this year.

    The Social saw two opening acts prior to getting to the man on the poster, the popular Mod Sun was one. Despite taking the stage assisted by a walking cane, the “Hippy Hop” artist did not let his injured knee slow him down. Mr. Mod Sun amped-up his friends in the audience with stoner tunes and feel good lyrics. Backed by his DJ/ guitarist, who was a non-stop work freight, he ran through some fan favorites like “My Hippy,” “Stoner Girl,” “Free Love” and a new record, which will feature drums from Travis Barker on his new album.

    Mr. Mod Sun is a straight hippy and is “Happy As F*ck” about it. If music was to get boring for the artist, a career as the stoner camp counselor all the guys want to smoke with, and all the girls want to hook up with wouldn’t be far fetched.

    On top of opening the show, California artist Blackbear also took the stage with Mr. Mills to help him close the show. After performing the duo’s collaborated record “Coldest Winter,” one of Mr. Mills “sexy songs” (which contained thrusting and dry humping of the air); he would finish the show with the tour’s titled track, handpicking members of the crowd to join him on stage. After successfully blocking all selfie attempts possible, he would inspire those on stage to live in the moment and not behind their phone, as for the moment they were apart of his band.

    A true highlight of the show.

  • CONCERT REVIEW: G-Eazy treats intimate Plaza Live performance like an arena stage

    It appears as if their is some characteristic in Bay Area rappers that leave men wanting them to have sex with their girlfriends.

    Whether or not G-Eazy followed up with the young man after his show, and took him up on the opportunity to fornicate his girlfriend; when you’re a rising artist these things happen.

    G-Eazy aka Young Gerald, 24, of Oakland Calif., lit up the Plaza Live Theater, Wednesday night, with one of the more extravagant productions the venue has seen in a while. It’s feels as if he thought he was performing on the granddaddy stage of them all. Neon sign spelling out his name hanged high, steps down below, drummer to his left, keyboardist to his right, and lighting trusses helping illuminate the stage — creating an energy the crowd could vibe off of and not leaving him having to depend on their reactions.

    Luckily for him, the crowd’s energy level was either equal to his if not higher throughout the course of the night, so if that was the case he would have still been okay. While the audience could chant the lyrics to songs from his two most popular projects, “The Endless Summer” and “Must Be Nice,” down to a tee, they did not hesitate to show just as much enthusiasm to unreleased songs from his upcoming project “These Things Happen.”

    His set is broken up into three  clear pieces: rage with the fellas, prove my style can flirt with the mainstream sound, and sympathize with the ladies. He showed his more intimate side on popular singles  “Runaround Sue” — sampled from Dion’s 1961 pop song of the same name — and “Kings,” a Jai Paul sample, which first comes off as cover to Drake’s “Dreams Money Can Buy.”

    During his set, G-Eazy took the time to invite his opening acts on stage with him to perform. Rockie Fresh, a Chicago rapper who is signed to Atlantic Records through Rick Ross’s Maybach Music Group imprint, rejoined G-Eazy on stage, alongside up-and-coming  Canadian artist Tory Lanez, to perform an exclusive remix of his track “Been On.”

    After hearing the crowd chant for it all night, it was only right G-Eazy closed out the show with an encore performance of “Loaded”; following the black and white “These Things Happen” balloon takeover during “Almost Famous.”

    Based off his demeanor and cool sleek 50’s school boy swag — slicked greaser hairstyle; black leather jacket with hoodie underneath, black jeans and Nikes, hater blocker sunglasses and gold chain — Young Gerald came off all the boyfriend all parents feared their daughter would bring home for Thanksgiving.

    He didn’t get here by mistake; blending different elements from artist he toured with in the past (Lil Wayne, Drake, T.I. and Snoop Dogg, just to name a few), fans get more than just a guy walking back and forth across the stage — they get an experience. He use the lights, production and stage setup to help cultivate each song transitions.

    Thanks to the internet, it’s becoming much less uncommon for a signed artist to be opening for someone doing music independently. G-Eazy is willing to spend whatever it cost to help him succeed and grow as an artist, so who knows for how much longer fans will be able to get an arena style performance in a smaller venue, with a small venue ticket price.

  • Review: Paul Simon, Sting ‘On Stage Together’ at Amway Center

    Paul Simon and Sting on stage together calls for a few things: A style and genre merge of two musical icons from different decades ; an unusually big-sized backing band displaying an array of random instruments; and the remixing of many classical tunes.

    By appearance, the duo comes off as oddly stepbrothers, however sonically, the two come off as a force (even while causing a minor delay in the show time).

    “Sorry we’re late. I cut myself shaving, and did not want to come out bleeding all over my partner,” said Sting, at Amway Center on Sunday night, before he and Simon begin their two -and-a-half hour set.

    While the union did spend some time together on stage together, two-thirds of the show each artist was on stage alone with their respective bands. As they rotated on and offstage, singing together between mini sets one could see the differences in the two style. Simon and Sting opened the show together with “Brand New Day” and “Boy in the Bubble,” and closed the show with a four-song encore — “Bridge Over Troubled Water,” “Every Breath You Take,” “Late in the Evening” and “When Will I Be Loved?.”

    Sting, 62, brings the personality and energy for the two. The tall, slender, balding rockstar setlist contained more of the explosive segments of the night. The singer-songwriter performed singles from the Police: “Every Little Thing She Does is Magic,” “Message in a Bottle,” and “Driven to Tears.” During the performance of “Roxanne,”

    Sting also paid homage to a few other music icons, including the late-great Johnny Cash, performing single “I Hung My Head,” which he wrote. Sting would go on to tell the crowd about the time he and the Police first came to America during his early 20’s and toured the country in a station wagon. Prior to covering Simon and Garfunkel’s “America,” he stated: “growing up I wanted to be a writer, and Mr. Simon was the template.”

    The production was far from extravagant — no fireworks or stage antics, just a display of good ole fashion. Simon dwelled on this to the fullest, focusing mostly on tracks from his solo career with “Me and Julio Down by the Schoolyard,” “50 Ways to Leave Your Lover,” and “Diamonds on the Soles of Her Shoes.”

    Simon, 72, ignited the predominantly middle-aged crowd to be very animated, as many of those seated in the front rows remained standing for most of the show (including the older fellow to the left of me, who had to be helped carted out with his wheelchair and oxygen mask.

    The floor security were kept busy the entire night, having to keep people in their seats and out of the aisle taking photos.

    in New York.” On the main floor, ushers were busy keeping people out of the aisles, while alcohol-enforcement personnel in bright-red shirts searched for concertgoers gone wild. Still crazy after all these years.

    While no one can replace Simon’s original partner Art Garfunkel, Sting and Simon showed that no one can have too many friends. Paul Simon and Sting’s “On Stage Together Tour” helps show that rock is the one genre where the older you get the more the people love you, rather or not they state is is only “experiment.”

  • Juicy J brings his ‘Never Sober Tour’ to Firestone Live

    Juicy J brings his ‘Never Sober Tour’ to Firestone Live

    When Juicy J is in town, you can expect to witness a side of your best friend that you may have never thought existed.

    Juicy J performs at the ‘Never Sober Tour’ at the Firestone Live in Orlando, Fla. on Feb. 21, 2014. (Ty Wright / Valencia Voice)

    If one was to drive past Firestone Live, Saturday night around 6:30 p.m. and took a long look at the crowd waiting outside the venue, it would have been hard to guess that all those kids were waiting to see an artist responsible for creating 90’s rap group Three 6 Mafia — as the “X’s” on their hand proved they were not even born when he started his career in the business.

    Twerking, bottle popping and clouds of kush smoke are always on the schedule for a Juicy J concert, and the Orlando stop of the “Never Sober Tour” was no different.

    Restless fans of all ages, races, social statues and backgrounds got extra lit as the trippy rapper — out of Memphis, Tenn. — took the stage at Firestone Live (three hours and fifteen-minutes from when the first act took the stage). For those who managed to make it all the way to see the trippy king, and not get kicked out due to fighting or fainting, they were in for a treat.

    While Juicy J ran through a majority of his anthems, including “Bandz a Make Her Dance,” “Bounce It” and “Scholarship” — which got all the ladies dancing on the stripper pole off to the side of the stage — he did manage to slow it down and add a personal aspect into the show.

    During his acapella version of “A Zip And A Double Cup” the crowd was at it’s all-time high, rapping the lyrics in perfect harmony.

    Project Pat opens for Juicy J’s ‘Never Sober Tour’ at the Firestone Live in Orlando, Fla. on Feb. 21, 2014. (Ty Wright / Valencia Voice)

    Before getting into some of my personal favorites Three 6 Mafia songs: “Slob On My Knob,” “Stay High,” and “Poppin My Collar,” Juicy J made it known that “In order to f*** with me, you have to know where I come from.”

    On top of the many local acts, Project Pat and Travi$ Scott acted as supporting acts. Project Pat got the main card going, with possibly the longest set of the night. While it was uncertain if many of the people in the front row even knew who he was, it did not stop them from dancing — especially the two girls who hopped the gate separating the stage from the floor to dance along side him.

    Scott, who is signed to both T.I.’s Grand Hustle label and Kanye West’s G.O.O.D. Music label, was nothing but a giant fireball full of energy. Watching Scott, aka La

    Flame, perform is a full-time job in itself. If one was to blink — for even a millisecond — they could have missed the

    Travi$ Scott opens for Juicy J’s ‘Never Sober Tour’ at the Firestone Live in Orlando, Fla. on Feb. 21, 2014. (Ty Wright / Valencia Voice)

    opportunity to see one of his entertaining, yet borderline, dangerous stunts. As Scott crowd surfaced, you could see his team holding their breath as it appeared he was close to being dropped and smacking his head on the Firestone Live floor.

    Whether he was performing more popular songs “Upper Echelon” and “Uptown” or singles like “Bad Mood,” it was evident that much of the crowd was there to see him as much as they were they were there to see Juicy J.

    Random thoughts: Did Juicy J toss his shoes into the crowd after his set because the venue told him he had to finish after 45-minutes, but still had more songs he wanted to perform but couldn’t so he felt bad for the crowd? Or was he just tired of those shoes and was waiting to give them away? Why were there so many “opening acts” when the artist already has two other artist on tour with him?