Category: Rap

See Header

Honorable Mentions

1. DON’T INSULT ME (Ft. Twin)
2. PAPER LOW

Firing up something fresh off the runway: Curren$y’s 9/15, dropped on the 15th, and it’s got that Spitta smoke — short, sweet, and stacked with bars over buttery beats.

Top Down — oh, this is peak Curren$y! Windows down, wind in the hair, lyrics about stacking paper and dodging lames.

Luxury flex 101! Spitta’s cataloging whips like a dealer but he states “I ain’t have to say that rhyme yall niggas know my problem.”

That trunk-rattling bass? Chef’s kiss. It’s playful, not braggy — more like sharing the blueprint. Keeps the momentum rolling smooth. Lyrics hit on loyalty and payoff — real talk. Elevated the energy. 9/10, love the guest spots. Beats got that Southern bounce, perfect closer. Leaves you hyped and reflective.

Wrapping 9/15 — Curren$y’s dropping jewels in under 20 minutes. Strengths: effortless flows, cohesive vibes, killer features. It’s like a quick joyride — don’t overthink it, just enjoy.

Lines That Touched Our Soul On Curren$y 9/15

1. “Hop out in some shit’ll have PETA at my front door

The f**k I gotta front for? It’s Porsches in my arsenal

Hundred miles and runnin’, these Pirellis still got more to go

Burnin’ one and rollin’ one, gotta smoke before I smoke

Only natural stones in this two-tone yellow rose

Money still the mission, and still remainin’ real while ya gettin’ it

Gotta let it pile before ya spend it

If I say I’ma do it, on these white G-Nikes, I did it

I go hard on a ho’, go coupe-for-coupe with my nigga”

Song- JetLife Got The Power

2. “This way bigger than some rap shit

This the feelin’ of pullin’ your close homies out the trap, and sh*t

This that money in the mattress” Song- Paid In Full

3. “Can’t be afraid of the grind, can say that a thousand times

Won’t sink in some ni**as minds, that make them a waste of time

Can’t be no friends of mine, ’cause I’m out her’ gettin’ mine

Song- Top Down

Released October 10, 2025, via BIA

One thing is for certain BIA’s long-awaited debut album BIANCA unleashes the Massachusetts rapper’s most authentic self after a decade of boundary-pushing features and EPs. A debut album is an artist’s chance to pour their life’s experiences into a singular statement, and BIA delivers with a project that’s raw, introspective, and unapologetically her own.

Let the internet tell it Lil Jon was only talking about black woman so how did Bianca Miquela Landrau become known professionally as BIA. Luck is finding a radio station today where it is not predominantly dominated by the female-gender artist. FAST FOWARD WITH ME. I will be the bad guy I know some Puerto-Rican blacks but shit they be saying they might just be Latin you let they great-grandma tell it. At 34-years-of-age I stopped asking woman they ethnicity because I mean that might be the next RICO: paranoia of growing up going to Puerto Rican festivals and an old Italian man telling me he ashamed to admit it but OBK might be Sicilian. 

Her early work, including standout features with artists like J. Cole and Nicki Minaj, set the stage for this moment, though fans hoping for guest appearances on BIANCA may have to wait for a potential deluxe edition.

Current album: A slew of what happened to the budget or is Unc behind on who he dealing with online. 

BIANCA—trades surface-level bravado for raw vulnerability, elevated introspection, and unpredictable vibes, from the all while sidestepping low-frequency drama to craft a timeless, high-frequency statement of growth. BIA is crystal clear about her boundaries and energy—if you’re fake, keep moving. The beat on NWFA is minimalist and cold, letting her delivery cut through like a knife. It’s the perfect reminder: BIA doesn’t need to shout to dominate. Then comes AWAKE and this one’s a standout. It’s hypnotic and introspective, with a darker, almost trance-like quality. You feel BIA floating in her own lane, addressing paranoia, fame, and self-awareness, all while staying smooth as ever. This is BIA deep in her bag—calm, but never sleeping.

Being BAD GUY might just be her best flex. She leans all the way into the villain role, unapologetically. This is the artist who doesn’t care for approval, who owns her ambition, and who has absolutely no interest in playing nice. The production slaps, the bars are savage, and the attitude is addictive. Over a delicate yet eerie beat PRAY FOR YOU is haunting. BIA offers verses that feel like quiet vengeance. It’s not angry; it’s composed and cold. She doesn’t curse you out—she lights a candle and keeps it moving. A beautiful balance of pain and power.

Switching the vibe on SAD PARTY and DADE —melancholic, but still fly BIA taps into emotional exhaustion here. Both tracks feels like a neon-soaked night ride through South Beach. The energy is infectious, the beat flips are wild, and BIA’s flexes come with bilingual flair. It’s global and gritty at once (think CJ from San Andres Screensaver)!

If you are looking for straight pressure WE ON GO II is straight pressure. This version feels like a sequel with more punch—more confidence, more hunger. The hook is menacing, the drums knock, and BIA rides the pocket like a pro. It’s the kind of track that makes you want to stunt on your ex and then run a few red lights (figuratively, of course).

It’s giving quiet confidence and expensive taste BIANCA is cold, calculated, and completely in her zone in BIA’s debut. Luxury rap but make it introverted and icy every track feels experimental , bossed up, and unbothered. [8.7]