The red table talk now has music.
Category: Whole Thang
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Da Baby – BE MORE GRATEFUL – 7.8 (Music Review)
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Honorable Mentions
- DON’T INSULT ME (Ft. Twin)
- PAPER LOW
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Brent Faiyaz scores 8.1, Icon (Music Review)
Rating: 8.1/10
Brent Faiyaz’s third studio album, Icon, dropped on February 13, 2026, marking his first full-length project in nearly four years since Wasteland in 2022. A concise yet ambitious pivot from his previous work, blending his signature with more adventurous, vintage-inspired sounds the album feels like a polished gem—sultry, introspective, and forward-looking while nodding to R&B’s roots.
The opener “white noise” sets a cinematic tone with a two-minute orchestral swell, pulling you into Faiyaz’s world of emotional directness and sonic experimentation. Tracks like “wrong faces” and “have to” showcase his improved songwriting, delivering raw vulnerability over smooth, synth-infused beats. Standouts include “other side.”, “butterflies.”; where Faiyaz’s falsetto glides over dreamy production, and the closer “vanilla sky,” a brief but haunting reflection on fame and relationships that leaves you wanting more.
While Icon steps away from the sprawling narratives of his past releases, it shines in its brevity and focus. Faiyaz’s voice remains the star—officious, emotive, and effortlessly cool—making this a solid evolution that cements his status in contemporary R&B. It’s not without its flaws; some tracks feel a tad undercooked in their shortness, but the overall cohesion and production quality elevate it.
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A$AP Rocky – Don’t Be Dumb – 9.1 (Music Review)
Overall Rating: 9.1/10
Man wtf is going on with this rap shit. A$AP Rocky done been on some shit since his later release but Don’t Be Dumb is that same ol’ Rocky feel “Hell is going on in that Little Fashion Boy mind”!!
Don’t Be Dumb out now with digital bonus songs. Flackitoooo I can just hear them screaming Lil Handsome in Harlem now and I ain’t even been there since this dropped. Oh pardon me Flackito Jodye where do Big Unc begin.
This audio delivers a very studio feel with top-notch sound quality that immerses you right in the mix—crisp, polished, and professional all the way through. The versatile sound keeps things fresh, blending trap beats with experimental vibes that showcase Rocky’s evolution without losing his signature Harlem flair. His rhymes are equally versatile, switching from introspective bars to straight fire, making every track hit different. The excellent collaborations elevate the album, bringing in features that complement Rocky’s style perfectly without overshadowing him. Overall, it’s a great product—worth the grab for fans, especially with those digital bonus songs adding extra value. If you’re into that fashion-forward, boundary-pushing rap, this one’s a no-brainer.
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Charli XCX – Wuthering Heights Forces disappointment – 5.4 (Music Review)
Charli XCX’s latest venture, Wuthering Heights, is an ambitious concept album that reimagines gothic through the lens of hyperpop excess and emotional chaos. A bold pivot from her Brat era’s party-girl anthems, trading sweat-soaked raves for brooding, wind-swept melodrama. But does it soar like Heathcliff’s tormented soul, or does it crash like a poorly mixed demo?
The album kicks off strong with a monologue or whatever something that wasn’t musical could be heard. Though, That next track “Wall of Sound” It’s catchy as hell, with a chorus that begs for TikTok dances: “ ‘Cause every time I try
Talking myself backwards
Away from my desires
Something inside stops me, oh”
From there, Wuthering Heights dives into familial dysfunction with distorted guitar riffs, shuffle dance in a way that feels both clever and chaotic.
Charli’s lyrics shine.
Midway through, things get experimental. “Chains of Love” is a standout, blending industrial noise and the albums theme that’s equal parts dance-pop and XCX’s style . It’s the kind of song that could soundtrack a goth rave, showcasing Charli’s underrated vocal range. It’s raw and intimate, a rare moment of restraint in her discography.
Unfortunately, not everything lands. With repetitive loops that mimic the novel’s class tensions but drag on without much payoff.
Overall, Wuthering Heights is a fascinating experiment with pop audacity, but it stumbles in execution. It’s got moments of brilliance that affirm Charli’s status as a boundary-pusher, yet too many tracks but casual listeners might find it more frustrating than fulfilling.
Rating: 5.4/10
A turbulent ride that’s half genius, half gale-force disappointment—much like the moors themselves.
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![Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]](https://umhblogs.com/wp-content/uploads/2026/02/img_2692.jpg?w=959)
Ari Lennox’s “Vacancy”: Vocals Slaying the Silence, But Some Tracks Ghosting Hard [REVIEW]
Black people do not got no money for kink, Ari! Like, dumb it down sis — why you still thinking about my deep strokes when I ain’t got no scars? This is not an exhibition, ma’am. Chill with the canvas talk.
That said… ain’t a soul breathing who wouldn’t happily settle for the vocals on this album. Vacancy might have some empty spaces, but Ari’s voice damn sure ain’t one of them.
“24 Seconds” is the perfect example of the album’s highs and lows. The second half is straight therapy — “everybody needs somebody by their side” hits different. But that first half? It’s giving repeat Ari career mode. Like she tryna cosplay Pop again. The song starts off like a bland Netflix intro, then suddenly turns into an action-packed thriller with no plot. Why the early commercials though? Pick a lane!
Song Quality Highlights:
• Soft Girl Era – This the one. Ari fully in her spoiled, feminine, “treat me like a princess” bag and I’m seated. It’s like she’s channeling that post-breakup glow-up where you decide life’s too short not to demand the soft life: plush robes, spa days, and a man who knows how to pamper without the drama. The production is buttery smooth with those layered harmonies that make you feel like you’re floating on a cloud of self-care vibes. It’s the track you play when you’re manifesting that upgrade from situationship to queen treatment. If Shea Butter Baby was her introduction to sensuality, this is the evolved version where she’s unapologetically demanding softness in a hard world. Replay value? Infinite
• Company (with Buju Banton) – Cultural reset. That reggae-R&B fusion is nasty (in the best way). Instant classic.
• Vacancy – Smooth, seductive, and the perfect title track. She really singing about wanting somebody to move in and fill the space.
Final Verdict: 7.5/10.
Vocals are a solid 10, the vibes are expensive, but some tracks feel a little too artsy or repetitive for the culture. Ari don’t miss when she really sings.
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![J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]](https://umhblogs.com/wp-content/uploads/2026/02/img_2686.jpg?w=250)
J. Cole’s “The Fall Off”: A Grand Finale That Hits Like Game 7 [8.8]
Boy diving deep into J. Cole’s latest—and apparently final—drop, The Fall Off. If you’ve been riding with Cole since the Come Up days, you know this one’s been brewing for years. Now, in 2026, it’s here as a double-disc. That’s all I got for you gotta keep scrolling, split into “Disc 29” and “Disc 39”. Disc 29 takes us grinding through crossroads in love, craft, and his Fayetteville roots. Disc 39 flips it to a wiser, more reflective older Cole, inching toward peace. It’s autobiographical culture currency, full circle from his early mixtapes to this retirement mic drop. But let’s get into it like Cole himself—raw, introspective, and unfiltered.
J. Cole, why is it so much rap on this final album? The Fall Off, out now with an array of tracks since we still can’t find “7 Minute Drill” (RIP to that Kendrick diss that vanished quicker than a bad tweet). Future like the same Future Hendrix who got a record with Tems got another record with Tems—double disc and it’s on the first disc. I love when they do not make mistah wait. Since when the Grammy’s ain’t choosing this much? Recording Academy, folded.
This Jermaine Cole got the universe feeling like the 20s era again. Who said I can’t talk my s!!t—by now they should know. Is this Game 7 Type S!!t orNAH? Let’s dive in.
Two Six gatos wild because how Tupac apologizing to Notorious B.I.G. What If Fat Joe was correct we just no comprehende because no hablo un European vosotros conjugation. I thought it was bad at the holograms but these artists get more creative by the day. Cole’s pulling stunts that make you rewind the track just to process—rapping from the perspectives of ‘Pac and Biggie on “What If”? That’s next-level innovation, channeling the ghosts of rap’s golden era to imagine reconciliations that never happened. It’s like he’s resurrecting the 90s beef in a therapy session, with lines that hit the soul.
Lyrics: Storytelling at Its Peak, Wordplay That Cuts Deep
Cole’s always been a lyricist’s lyricist, but on The Fall Off, he elevates it to masterpiece territory. This ain’t just bars; it’s narrative therapy wrapped in beats. The album’s concept shines through the lyrics, with Disc 29 feeling hungry and conflicted, like a young Cole hustling back home at 29, questioning everything. Tracks like “Two Six”set the tone with gritty street tales and self-doubt: It’s raw, think boom-bap soul with modern introspection.
By Disc 39, the lyrics mature into wisdom. “The Fall-Off Is Inevitable” is the thesis track, where Cole philosophizes on fame’s expiration date. Influenced by Nas’s “Rewind,” he narrates life in reverse on some cuts, unmaking achievements to highlight growth. Standout wordplay? Everywhere. On “Old Dog,” he flips canine metaphors for aging in the game.
If you’re dissecting bars, this album’s a goldmine—themes of legacy, regret, and redemption dominate, making it feel like a therapy session you didn’t know you needed.
Spotlight on “Poor Thang”: The Raw, Unfiltered Gut Punch of Disc 29
Dropping as track 5 on Disc 29, “Poor Thang” hits like a freight train—raw, confrontational, and dripping with that classic Cole introspection. Produced by Cole himself alongside T-Minus and a couple others, it samples Boosie Badazz’s “Set It Off” for that gritty Southern edge, building tension with drum-heavy beats that echo the chaos in the lyrics. This joint is all about youthful ignorance turning deadly, fake tough guys getting called out, and the cycles of violence that trap the young and dumb. It’s peak Cole: blending personal stories with sharp social commentary, making you nod your head while rethinking life choices. The chorus sets the tone hard: “Poor thang, young pup’s playin’ war games / He wanted love, but he only made more pain.” Repeated like a mantra, it’s pity mixed with tragedy—picturing a kid chasing respect but ending up in cuffs, with some old lady shaking her head, “Poor thang.” Verse 1 dives into Cole’s own grind: He’s painting poverty and survival raw— and how post-traumatic stress on an “immature brain” leads to bodies dropping. It’s that southern grit, reflecting on how dreams get deferred in the hood. Then Verse 2 flips to straight smoke—Cole’s disgusted, addressing some poser: “Here go a song that gives a shit off… Punk bitch.” He calls out the fake Gs who grew up privileged but act hard: “You grew up with both your parents to teach… So how the fuck all of the sudden, you turnin’ G? / You a slave to the peer pressure, you weak, punk bitch.” It’s repetitive and relentless, building to a challenge: Cole’s advocating for real accountability over gunplay, tying back to resilience. My road to fame is right with spikes and broken lanes, and tolls I can’t afford but I won’t complain.
Guest Features: Strategic Sparks That Elevate the Vision
Cole’s never been feature-heavy, but on The Fall Off, he picks collaborators like a chef seasons a steak—sparingly but impactfully. No overcrowded posse cuts; these guests amplify the narrative without stealing the spotlight.
• Future: The Pluto king appears twice on Disc 29, bringing that trap-soul energy. On “Run A Train,” it’s a gritty collab with Future’s signature auto-tune croons over booming bass, lyrics trading verses on hustle and pitfalls. Then “Bunce Road Blues” doubles down with Future and Tems—yep, the same dynamic duo from the Grammy Family. It’s on the first disc, no waiting game, and it slaps as a moody standout.
• Tems: As mentioned, she graces “Bunce Road Blues” alongside Future. Her soulful ad-libs and chorus elevate the track’s emotional depth, tying into Cole’s themes of longing and return.
• Petey Pablo: On “Old Dog” (Disc 39), the North Carolina legend brings regional flavor, hyping Cole’s evolution with hype-man energy. Lyrics nod to Southern roots.
• Burna Boy: The African Giant features on “Only You,” infusing Afrobeat rhythms into Cole’s reflection. It’s a global nod, expanding the album’s scope.
In closing, The Fall Off is Game 7 clutch—Cole bowing out on top, with lyrics that dissect the soul and features that add just the right spice. If this is really his last, rap’s losing a giant, but gaining a timeless project. Stream it, dissect it, and let it marinate. Peace. How to kill a superhero.
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OBK REACTS: What is up with this New Orleans Nigga and these timestamp projects

Firing up something fresh off the runway: Curren$y’s 9/15, dropped on the 15th, and it’s got that Spitta smoke — short, sweet, and stacked with bars over buttery beats.
Top Down — oh, this is peak Curren$y! Windows down, wind in the hair, lyrics about stacking paper and dodging lames.
Luxury flex 101! Spitta’s cataloging whips like a dealer but he states “I ain’t have to say that rhyme yall niggas know my problem.”
That trunk-rattling bass? Chef’s kiss. It’s playful, not braggy — more like sharing the blueprint. Keeps the momentum rolling smooth. Lyrics hit on loyalty and payoff — real talk. Elevated the energy. 9/10, love the guest spots. Beats got that Southern bounce, perfect closer. Leaves you hyped and reflective.
Wrapping 9/15 — Curren$y’s dropping jewels in under 20 minutes. Strengths: effortless flows, cohesive vibes, killer features. It’s like a quick joyride — don’t overthink it, just enjoy.
Lines That Touched Our Soul On Curren$y 9/15
1. “Hop out in some shit’ll have PETA at my front door
The f**k I gotta front for? It’s Porsches in my arsenal
Hundred miles and runnin’, these Pirellis still got more to go
Burnin’ one and rollin’ one, gotta smoke before I smoke
Only natural stones in this two-tone yellow rose
Money still the mission, and still remainin’ real while ya gettin’ it
Gotta let it pile before ya spend it
If I say I’ma do it, on these white G-Nikes, I did it
I go hard on a ho’, go coupe-for-coupe with my nigga”
Song- JetLife Got The Power
2. “This way bigger than some rap shit
This the feelin’ of pullin’ your close homies out the trap, and sh*t
This that money in the mattress” Song- Paid In Full
3. “Can’t be afraid of the grind, can say that a thousand times
Won’t sink in some ni**as minds, that make them a waste of time
Can’t be no friends of mine, ’cause I’m out her’ gettin’ mine
Song- Top Down
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He Can Do Both • Nephew Khalid Balances Club Hits Candid Confessions after the sun goes down
Released on October 10, 2025, via RCA Records.

In a world that demands conformity it takes a special kind of bravery to stand tall in your truth Nephew Khalid has done just that with his radiant fourth studio album after the sun goes down a 16-track declaration of self-acceptance exhaling years after holding his breath. This project isn’t just a collection of songs; it’s a luminous testament to his authenticity.
Through Khalid decision to openly embrace his identity, including his preference for dating boys😂, opposites attract demonboy he demonstrates remarkable strength and authenticity. Coming out is often described as a significant challenge, particularly when external pressures urge one to reveal their true self before feeling fully prepared. Yet, Khalid has navigated this moment with grace. This milestone transcends a single act of courage, it’s about, the ongoing journey. Khalid, like many, navigates authentic living in a challenging society. The true question isn’t “How to become a better man?” but “How to become one’s fullest self?”—a universal struggle. Khalid’s path reminds us that growth is personal, continuous, and profoundly human with his family’s enduring support.
The album explores gay love with all its playful, messy, and romantic moments. Songs like in plain sight have danceable energy with lyrics that express being seen and feeling confident. The music and lyrical content create an experience for the dance floor or moments of reflection or cleaning if you not a dirty ass.
out of body co-produced by Darkchild is an exciting club track with b-side beats that make you want to hit the dancefloor.
The opener medicine sets a sultry tone with slinky basslines and whispered confessions: showcasing Khalid’s smooth vocals and layered harmonies that convey yearning and resilience.
OBKThe emotional depth of Khalid’s artistry shines in tracks such as please don’t call (333) a heart-wrenching ballad that captures the bittersweet struggle of setting boundaries after a bad-romance. Its delicate piano and Khalid’s quivering vocals deliver each plea with soul-baring honesty, lingering as a quiet ache in the listener’s heart. On the other hand rendezvous is a charming upbeat gem that radiates playful allure. Its lively rhythm and coy lyrics paint a vivid picture of stolen glances and late-night moments that spark a flutter of excitement.
Merging soul-stirring vulnerability with vibrant charm, crafting a listening experience that captures the heart’s quiet pain and playful energy with striking clarity and depth his vocal versatility and lyrical precision shine, though the polished production occasionally overshadows his raw intimacy, balancing accessibility with authenticity.
With after the sun goes down, Khalid delivers a bold, tender, and timely evolution of pop—one that embraces queerness not as subtext but as central truth. In a genre polished to perfection, his emotional honesty cuts through, even when slick production sometimes smooths over the rawest edges. The album doesn’t try to be a spectacle or make a political statement—it just exists, calmly and confidently, in its truth. That quiet normalcy is revolutionary in itself. It tells listeners, especially baguette ones, that love, longing, and self-discovery deserve space in the mainstream without needing to be justified. Still, this album pulses with life, offering a deeply personal yet universally resonant journey of love, loss, and self-discovery. For its fearless storytelling, vocal finesse, and cultural significance, after the sun goes down scores [8.6].
Blending infectious pop, ’80s-inspired grooves, and pulse-pounding dance beats, Khalid turns his personal story into songs about love, heartbreak, and liberation that grab you and don’t let go — a luminous milestone in Khalid’s career and a quietly groundbreaking moment in modern pop.
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ALBUM REVIEW: MGK lost americana

Well This Is Easy To WriteM G K.
Yo, what’s good? Welcome back to the page! It’s your boy OnlyBlackKid and today, we’re diving into something big— The Artist formerly known as Machine Gun Kelly brand-new album, lost americana, which dropped on August 8, 2025. I’ve been hyped to check this out, from Bob Dylan narrating the trailer to MGK’s whole genre-bending vibe.
If you’re an MGK fan, a pop-punk lover, or just curious, stick around, hit that subscribe button, and let’s get into it! Oh, and drop a comment if you’ve already heard the album—what’s your take? Let’s go!”
lost americana totes no guest features, which is fire and a first for him, and it’s super personal as think rehab, his breakup with Megan Fox, and all the chaos of 2024. His seventh album and IAM not looking for the bars out the intro.
Hard to hear what he is saying in the chorus • Is that not what rock is. • OBK on lost americana’s ‘outlaw overture.’
First up, ‘outlaw overture’ hits like a lightning bolt right out the gate. It starts with these synths that give off major ‘80s new-wave vibes, then it flips into this raw, widescreen rock anthem and MGK’s screaming about addiction and breaking free. The lyrics? Whew, heavy. He says, “I miss my drugs, they’ve been my friends since 21”— that hit me in the chest. It’s like he’s laying it all bare. The beat switch in the middle threw me off at first, but it’s bold. For a tad second I thought I had already reached a new track and MGK makes music for your workday. I’m feeling this as an opener —sets the tone for the chaos.
More checks than Blanks on track by track hot or nah so that makes it Shai-Gild from the field and note none of your favorite players could stop heem 2024-2025 season.
Still: Angry/Happy & full of vulgar. What has changed in MGK music other than his vocal presence. Not Much
Forced pop; no way that is wat “vampire diaries.”
What Lost Americana lacks in Macys fitting room it garners in Rainbow TEST.
Their / there RAP on the album and I will get to it.
1. ‘indigo’ full breakdown
Mood – EMO
Punches 20 percent vs 80 percent Wordplay
Beat = 100 can hear every word
Cool; Somber chaos to prove that alternative feel. That’s a sample #HelpABroOut
2. ‘tell me whats up’ piviotal moment to tell somebody to LACE THE FUCK UP. It’s raw, and MGK’s flow is on point. It brings back his hip-hop roots, and it’s confessional—like he’s spitting his truth about his struggles
The back half of the album—‘Can’t Stay Here,’ ‘Treading Water,’ and ‘Orpheus’—oh man, this is where it gets heavy. ‘Treading Water’ is MGK at his most honest, talking about his breakup with Fox and their daughter. Lines like ‘I broke this home, and just like my father, I’ll die alone’ had me shook. These tracks are like a gut punch, especially if you’ve follow his story. The acoustic vibes and raw emotion make this the strongest part of the album for me.
SPOTLIGHT
‘Cliché,’ the lead single. [smirks] Okay, MGK knew what he was doing naming it that. It’s straight-up pop, like Backstreet Boys meets modern pop-country. It’s catchy, got that summer anthem feel. To accompany It’s fun, the music video with all the Route 66, muscle cars, and denim vibes screams Americana. But is it deep? Nah, it’s just a vibe. I can see it on the radio, though—already hit Billboard Hot 100
Let’s get to ‘Miss Sunshine.’ Okay, this one’s got that southern-rock swagger, almost like AC/DC meets Sugar Ray [,]. It’s super nostalgic, lifting from ‘You Shook Me All Night Long’ in the chorus, which is bold. I was vibing, cruising with the windows down energy,. I get that—it’s like MGK’s trying to capture this carefree youth he never had.
Conclusion
What’s fascinating is how personal this album is. MGK’s talking about rehab, his public breakup, and chasing this idea of the American dream. The Bob Dylan cosign adds this wild layer of legitimacy—like, how did that even happen? But it fits, because MGK’s trying to reimagine what freedom and reinvention mean, just like Dylan did back in the day.
It’s chaotic, it’s honest, and it’s got something for everyone
U Know my motto if I can write a letter to the book I’m wit it. MGK is his age and whatever that means. If he does not have perfect line it is the next one or the one after. ‘Starman’ proves that.
Turn on notifications, and let’s keep the convo going. Until next time, keep vibing, keep dreaming, and I’ll catch y’all in the next post.
Deuces
Honorable Mentions
‘don’t wait run fast’
